The Birth of Tragedy; or, Hellenism and Pessimism — Nietzsche — John Shaqi
The Birth of Tragedy; or, Hellenism and Pessimism
Nietzsche · en
It is an eternal phenomenon: the avidious will can always, by means
of an illusion spread over things, detain its creatures in life
and compel them to live on. One is chained by the Socratic love of
knowledge and the vain hope of being able thereby to heal the eternal
wound of existence; another is ensnared by art's seductive veil of
beauty fluttering before his eyes; still another by the metaphysical
comfort that eternal life flows on indestructibly beneath the whirl of
phenomena: to say nothing of the more ordinary and almost more powerful
illusions which the will has always at hand. These three specimens of
illusion are on the whole designed only for the more nobly endowed
natures, who in general feel profoundly the weight and burden of
existence, and must be deluded into forgetfulness of their displeasure
by exquisite stimulants. All that we call culture is made up of these
stimulants; and, according to the proportion of the ingredients, we
have either a specially _Socratic_ or _artistic_ or _tragic culture_:
or, if historical exemplifications are wanted, there is either an
Alexandrine or a Hellenic or a Buddhistic culture.
Our whole modern world is entangled in the meshes of Alexandrine
culture, and recognises as its ideal the _theorist_ equipped with
the most potent means of knowledge, and labouring in the service of
science, of whom the archetype and progenitor is Socrates. All our
educational methods have originally this ideal in view: every other
form of existence must struggle onwards wearisomely beside it, as
something tolerated, but not intended. In an almost alarming manner the
cultured man was here found for a long time only in the form of the
scholar: even our poetical arts have been forced to evolve from learned
imitations, and in the main effect of the rhyme we still recognise the
origin of our poetic form from artistic experiments with a non-native
and thoroughly learned language. How unintelligible must _Faust,_ the
modern cultured man, who is in himself intelligible, have appeared to a
true Greek,--Faust, storming discontentedly through all the faculties,
devoted to magic and the devil from a desire for knowledge, whom we
have only to place alongside of Socrates for the purpose of comparison,
in order to see that modern man begins to divine the boundaries of
this Socratic love of perception and longs for a coast in the wide
waste of the ocean of knowledge. When Goethe on one occasion said to
Eckermann with reference to Napoleon: "Yes, my good friend, there is
also a productiveness of deeds," he reminded us in a charmingly naïve
manner that the non-theorist is something incredible and astounding to
modern man; so that the wisdom of Goethe is needed once more in order
to discover that such a surprising form of existence is comprehensible,
nay even pardonable.