THE ARTIST.—The Germans wish to be transported by the artist into a state of dreamy passion; by his aid the Italians wish to rest from their real passions; the French wish him to give them an opportunity of showing their judgment and of making speeches. So let us be just! 218. TO DEAL LIKE AN ARTIST WITH ONE’S WEAKNESSES.—If we must positively have weaknesses and come in the end to look upon them as laws beyond ourselves, I wish that everybody may be possessed of as much artistic capacity as will enable him to set off his virtues by means of his weaknesses, and to make us, through his weaknesses, desirous of acquiring his virtues: a power which great musicians have possessed in quite an exceptional degree. How frequently do we notice in Beethoven’s music a coarse, dogmatic, and impatient tone; in Mozart, the joviality of an honest man, whose heart and mind have not overmuch to give us; in Richard Wagner, an abrupt and aggressive restlessness, in the midst of which, just as the most patient listener is on the point of losing his temper, the composer regains his powers, and likewise the others. Through their very weaknesses, these musicians have created in us an ardent desire for their virtues, and have given us a palate which is ten times more sensitive to every note of this tuneful intellect, tuneful beauty, and tuneful goodness. 219. DECEIT IN HUMILIATION.—By your foolishness you have done a great wrong to your neighbour and destroyed his happiness irretrievably—and then, having overcome your vanity, you humble yourself before him, surrender your foolishness to his contempt, and fancy that, after this difficult scene, which is an exceedingly painful one for you, everything has been set right, that your own voluntary loss of honour compensates your neighbour for the injury you have done to his happiness. With this feeling you take your leave comforted, believing that your virtue has been re-established. Your neighbour, however, suffers as intensely as before. He finds nothing to comfort him in the fact that you have been irrational and have told him so: on the contrary, he remembers the painful appearance you presented to him when you were disparaging yourself in his presence—it is as if another wound had been inflicted on him. He does not think of revenging himself, however; and cannot conceive how a proper balance can be struck between you and him. In point of fact, you have been acting that scene for yourself and before yourself: you invited a witness to be present, not on his account, but on your own—don’t deceive yourself! 220.