Is it a handsome woman? or a beautiful horse? Enough, he looks about him as if enraptured, for he must assemble looks of rapture. It is only now that his theme quite pleases him: it is only now that he becomes inventive and risks new and audacious features. How he forces out his theme! Ah, take care!—he not only understands how to adorn, but also how to gloss it over! Yes, he knows what the colour of health is, and he knows how to make it up,—he is more subtle in his self-consciousness than I thought. And now he is convinced that he has convinced his hearers; he sets off his impromptus as if they were the most important things under the sun: he points to his theme with an insolent finger as if it were too good for this world.—Ah, how distrustful he is! He is afraid we may get tired!—that is why he buries his melody in sweet notes.—Now he even appeals to our coarser senses that he may excite us and thus get us once again into his power. Listen to him as he conjures up the elementary force of tempestuous and thundering rhythms! And now that he sees that these things have captivated our attention, strangle us, and almost overwhelm us, he once again ventures to introduce his theme amidst this play of the elements in order to convince us, confused and agitated as we are, that our confusion and agitation are the effects of his miraculous theme. And from now onwards his hearers believe in him: as soon as the theme is heard once more they are reminded of its thrilling elementary effects. The theme profits by this recollection—now it has become demoniacal! What a connoisseur of the soul he is! He gains command over us by all the artifices of the popular orator. But the music has stopped again. _B._ And I am glad of it; for I could no longer bear listening to your observations! I should prefer ten times over to let myself be deceived to knowing the truth once after your version.