The Joyful Wisdom ("La Gaya Scienza") — Nietzsche — John Shaqi
The Joyful Wisdom ("La Gaya Scienza")
Nietzsche · en
_Genoa._—I have looked upon this city, its villas and pleasure-grounds
and the wide circuit of its inhabited heights and slopes, for a
considerable time: in the end I must say that I see _countenances_ out
of past generations,—this district is strewn with the images of bold and
autocratic men. They have _lived_ and have wanted to live on—they say so
with their houses, built and decorated for centuries, and not for the
passing hour: they were well disposed to life, however ill-disposed they
may often have been towards themselves. I always see the builder, how he
casts his eye on all that is built around him far and near, and likewise
on the city, the sea, and the chain of mountains; how he expresses power
and conquest in his gaze: all this he wishes to fit into _his_ plan, and
in the end make it his _property_, by its becoming a portion of the
same. The whole district is overgrown with this superb, insatiable
egoism of the desire to possess and exploit; and as these men when
abroad recognised no frontiers, and in their thirst for the new placed a
new world beside the old, so also at home everyone rose up against
everyone else, and devised some mode of expressing his superiority, and
of placing between himself and his neighbour his personal
illimitableness. Everyone won for himself his home once more by
over-powering it with his architectural thoughts, and by transforming it
into a delightful sight for his race. When we consider the mode of
building cities in the north, the law and the general delight in
legality and obedience, impose upon us: we thereby divine the propensity
to equality and submission which must have ruled in those builders.
Here, however, on turning every corner you find a man by himself, who
knows the sea, knows adventure, and knows the Orient, a man who is
averse to law and to neighbour, as if it bored him to have to do with
them, a man who scans all that is already old and established, with
envious glances: with a wonderful craftiness of fantasy, he would like,
at least in thought, to establish all this anew, to lay his hand upon
it, and introduce his meaning into it—if only for the passing hour of a
sunny afternoon, when for once his insatiable and melancholy soul feels
satiety, and when only what is his own, and nothing strange, may show
itself to his eye.
292.