The Twilight of the Idols; or, How to Philosophize with the Hammer. The Antichrist: Complete Works, Volume Sixteen
Nietzsche · en
_Progress in my sense._—I also speak of a “return to nature,” although
it is not a process of going back but of going up—up into lofty, free
and even terrible nature and naturalness; such a nature as can play
with great tasks and _may_ play with them.... To speak in a _parable._
Napoleon was an example of a “return to nature,” as I understand it
(for instance _in rebus tacticis,_ and still more, as military experts
know, in strategy). But Rousseau—whither did he want to return?
Rousseau this first modern man, idealist and _canaille_ in one person;
who was in need of moral “dignity,” in order even to endure the sight
of his own person,—ill with unbridled vanity and wanton self-contempt;
this abortion, who planted his tent on the threshold of modernity,
also wanted a “return to nature”; but, I ask once more, whither did
he wish to return? I hate Rousseau, even _in_ the Revolution itself:
the latter was the historical expression of this hybrid of idealist
and _canaille._ The bloody farce which this Revolution ultimately
became, its “immorality,” concerns me but slightly; what I loathe
however is its Rousseauesque _morality_—the so-called “truths” of the
Revolution, by means of which it still exercises power and draws all
flat and mediocre things over to its side. The doctrine of equality!
... But there is no more deadly poison than this; for it _seems_ to
proceed from the very lips of justice, whereas in reality it draws
the curtain down on all justice.... “To equals equality, to unequals
inequality”—that would be the real speech of justice and that which
follows from it “Never make unequal things equal.” The fact that so
much horror and blood are associated with this doctrine of equality,
has lent this “modern idea” _par excellence_ such a halo of fire and
glory, that the Revolution as a drama has misled even the most noble
minds.—That after all is no reason for honouring it the more.—I can
see only one who regarded it as it should be regarded—that is to say,
with _loathing;_ I speak of Goethe.
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