(2) The antagonism of the passions the double, treble, and multiple soul in one breast:[6] this is very unhealthy; it is a sign of inner ruin and of disintegration, betraying and promoting an internal dualism and anarchy--unless, of course, one passion becomes master. _Return to health._ (3) The juxtaposition of passions without their being either opposed or united with one another. Very often transitory, and then, as soon as order is established, this condition may be a healthy one. A most interesting class of men belong to this order, the chameleons; they are not necessarily at loggerheads with themselves, they are both happy and secure, but they cannot develop--their moods lie side by side, even though they may seem to lie far apart. They change, but they become nothing. [Footnote 6: This refers to Goethe's _Faust._ In Part I., Act I., Scene 11., we find Faust exclaiming in despair: "Two souls, alas! within my bosom throne!" See Theodore Martin's _Faust,_ translated into English verse.--Tr.] 779. The quantitative estimate of aims and its influence upon the valuing standpoint, the _great_ and the _small_ criminal. The greatness or smallness of the aims will determine whether the doer feels respect for himself with it all, or whether he feels pusillanimous and miserable. The degree of intellectuality manifested in the means employed may likewise influence our valuation. How differently the philosophical innovator, experimenter, and man of violence stands out against robbers, barbarians, adventurers!--There is a semblance of disinterestedness in the former. Finally, noble manners, bearing, courage, self-confidence,--how they alter the value of that which is attained by means of them! *** Concerning the optics of valuation:-- The influence of the greatness or smallness of the aims. The influence of the intellectuality of the means. The influence of the behaviour in action. The influence of success or failure. The influence of opposing forces and their value. The influence of that which is permitted and that which is forbidden. 780. The tricks by means of which actions, measures, and passions are legitimised, which from an individual standpoint are no longer good form or even in good taste.-- Art, which allows us to enter such strange worlds, makes them tasteful to us. Historians prove its justification and reason; travels, exoticism, psychology, penal codes, the lunatic asylum, the criminal, sociology. Impersonality (so that as media of a collective whole we allow ourselves these passions and action--the Bar, juries, the bourgeois, the soldier, the minister, the prince, society, "critics") makes us feel that we are _sacrificing something._ 781.