Plato and the Other Companions of Sokrates, 3rd ed. Volume 2
Plato · en
The contrast between systematic, professional, procedure,
deliberately taught and consciously acquired, capable of being
defended at every step by appeal to intelligible rules founded upon
scientific theory, and enabling the person so qualified to impart his
qualification to others--and a different procedure purely impulsive
and unthinking, whereby the agent, having in his mind a conception of
the end aimed at, proceeds from one intermediate step to another,
without knowing why he does so or how he has come to do so, and
without being able to explain his practice if questioned or to
impart it to others--this contrast is a favourite one with Plato. The
last-mentioned procedure--the unphilosophical or irrational--he
conceives under different aspects: sometimes as a blind routine or
insensibly acquired habit,[19] sometimes as a stimulus applied from
without by some God, superseding the reason of the individual. Such a
condition Plato calls _madness_, and he considers those under it
as persons out of their senses. But he recognises different varieties
of madness, according to the God from whom it came: the bad madness
was a disastrous visitation and distemper--the good madness was a
privilege and blessing, an inspiration superior to human reason.
Among these privileged madmen he reckoned prophets and poets; another
variety under the same genus, is, that mental love, between a
well-trained adult, and a beautiful, intelligent, youth, which he
regards as the most exalted of all human emotions.[20] In the Ion,
this idea of a privileged madness--inspiration from the Gods superseding
reason--is applied not only to the poet, but also to the rhapsode who
recites the poem, and even to the auditors whom he addresses. The
poet receives the inspiration directly from the Gods: he inoculates
the rhapsode with it, who again inoculates the auditors--the fervour
is, at each successive communication, diminished. The auditor
represents the last of the rings; held in suspension, through the
intermediate agency of other rings, by the inherent force of the
magnet.[21]
[Footnote 19: Plato, Phædon, 82 A; Gorgias, 463 A, 486 A.]
[Footnote 20: This doctrine is set forth at length by Sokrates in the
Platonic Phædrus, in the second discourse of Sokrates about Eros, pp.
244-245-249 D.]
[Footnote 21: Plato, Ion, 535 E. [Greek: ou(=to/s e)stin o( theatê\s
tô=n daktuli/ôn o( e)/schatos . . . . o( de\ me/sos su\ o( r(apsô|do\s
kai\ u(pokritê\s, o( de\ prô=tos, au)to\s o( poiêtê/s.]]
[Side-note: Special inspiration from the Gods was a familiar
fact in Grecian life. Privileged communications from the Gods to
Sokrates--his firm belief in them.]