This, or something like this, is the meaning of the idea of good as conceived by Plato. Ideas of number, order, harmony, development may also be said to enter into it. The paraphrase which has just been given of it goes beyond the actual words of Plato. We have perhaps arrived at the stage of philosophy which enables us to understand what he is aiming at, better than he did himself. We are beginning to realize what he saw darkly and at a distance. But if he could have been told that this, or some conception of the same kind, but higher than this, was the truth at which he was aiming, and the need which he sought to supply, he would gladly have recognized that more was contained in his own thoughts than he himself knew. As his words are few and his manner reticent and tentative, so must the style of his interpreter be. We should not approach his meaning more nearly by attempting to define it further. In translating him into the language of modern thought, we might insensibly lose the spirit of ancient philosophy. It is remarkable that although Plato speaks of the idea of good as the first principle of truth and being, it is nowhere mentioned in his writings except in this passage. Nor did it retain any hold upon the minds of his disciples in a later generation; it was probably unintelligible to them. Nor does the mention of it in Aristotle appear to have any reference to this or any other passage in his extant writings. BOOK VII. And now I will describe in a figure the enlightenment or unenlightenment of our nature:—Imagine human beings living in an underground den which is open towards the light; they have been there from childhood, having their necks and legs chained, and can only see into the den. At a distance there is a fire, and between the fire and the prisoners a raised way, and a low wall is built along the way, like the screen over which marionette players show their puppets. Behind the wall appear moving figures, who hold in their hands various works of art, and among them images of men and animals, wood and stone, and some of the passers-by are talking and others silent. ‘A strange parable,’ he said, ‘and strange captives.’ They are ourselves, I replied; and they see only the shadows of the images which the fire throws on the wall of the den; to these they give names, and if we add an echo which returns from the wall, the voices of the passengers will seem to proceed from the shadows. Suppose now that you suddenly turn them round and make them look with pain and grief to themselves at the real images; will they believe them to be real? Will not their eyes be dazzled, and will they not try to get away from the light to something which they are able to behold without blinking? And suppose further, that they are dragged up a steep and rugged ascent into the presence of the sun himself, will not their sight be darkened with the excess of light? Some time will pass before they get the habit of perceiving at