The dialogues of Plato in five volumes, Vol. 2 (of 5) : $b Translated into English with analyses and introductions
Plato · en
_d._ A few minor points still remain to be summed up: (1) The extravagant
irony in the reason which is assigned for the pilot’s modest charge
(p. 512); and in the proposed use of rhetoric as an instrument of
self-condemnation (p. 480); and in the mighty power of geometrical
equality in both worlds (p. 508). (2) The reference of the mythus to
the previous discussion should not be overlooked: the fate reserved for
incurable criminals such as Archelaus (p. 525); the retaliation of the
box on the ears (p. 527); the nakedness of the souls and of the judges
who are stript of the clothes or disguises which rhetoric and public
opinion have hitherto provided for them (p. 523; cp. Swift’s notion that
the universe is a suit of clothes, Tale of a Tub, section 2). The fiction
seems to have involved Plato in the necessity of supposing that the soul
retained a sort of corporeal likeness after death (p. 524). (3) The
appeal to the authority of Homer, who says that Odysseus saw Minos in his
court ‘holding a golden sceptre,’ which gives verisimilitude to the tale
(p. 526).
It is scarcely necessary to repeat that Plato is playing ‘both sides of
the game,’ and that in criticising the characters of Gorgias and Polus,
we are not passing any judgment on historical individuals, but only
attempting to analyze the ‘dramatis personae’ as they were conceived by
him. Neither is it necessary to enlarge upon the obvious fact that Plato
is a dramatic writer, whose real opinions cannot always be assumed to be
those which he puts into the mouth of Socrates, or any other speaker who
appears to have the best of the argument; or to repeat the observation
that he is a poet as well as a philosopher; or to remark that he is not
to be tried by a modern standard, but interpreted with reference to his
place in the history of thought and the opinion of his time.
[Sidenote: _The irony of Socrates._]
It has been said that the most characteristic feature of the Gorgias is
the assertion of the right of dissent, or private judgment. But this mode
of stating the question is really opposed both to the spirit of Plato and
of ancient philosophy generally. For Plato is not asserting any abstract
right or duty of toleration, or advantage to be derived from freedom
of thought; indeed, in some other parts of his writings (e. g. Laws,
x), he has fairly laid himself open to the charge of intolerance. No
speculations had as yet arisen respecting the ‘liberty of prophesying;’
and Plato is not affirming any abstract right of this nature: but he is
asserting the duty and right of the one wise and true man to dissent from
the folly and falsehood of the many. At the same time he acknowledges the
natural result, which he hardly seeks to avert, that he who speaks the
truth to a multitude, regardless of consequences, will probably share the
fate of Socrates.
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