The myths of Plato are a phenomenon unique in literature. There are four longer ones: these occur in the Phaedrus (244-256), Phaedo (110-115), Gorgias (523-527), and Republic (x. 614-621). That in the Republic is the most elaborate and finished of them. Three of these greater myths, namely those contained in the Phaedo, the Gorgias and the Republic, relate to the destiny of human souls in a future life. The magnificent myth in the Phaedrus treats of the immortality, or rather the eternity of the soul, in which is included a former as well as a future state of existence. To these may be added, (1) the myth, or rather fable, occurring in the Statesman (268-274), in which the life of innocence is contrasted with the ordinary life of man and the consciousness of evil: (2) the legend of the Island of Atlantis, an imaginary history, which is a fragment only, commenced in the Timaeus (21-26) and continued in the Critias: (3) the much less artistic fiction of the foundation of the Cretan colony which is introduced in the preface to the Laws (iii. 702), but soon falls into the background: (4) the beautiful but rather artificial tale of Prometheus and Epimetheus narrated in his rhetorical manner by Protagoras in the dialogue called after him (320-328): (5) the speech at the beginning of the Phaedrus (231-234), which is a parody of the orator Lysias; the rival speech of Socrates and the recantation of it (237-241). To these may be added (6) the tale of the grasshoppers, and (7) the tale of Thamus and of Theuth, both in the Phaedrus (259 and 274-5): (8) the parable of the Cave (Rep. vii. _ad init._), in which the previous argument is recapitulated, and the nature and degrees of knowledge having been previously set forth in the abstract are represented in a picture: (9) the fiction of the earth-born men (Rep. iii. 414; cp. Laws ii. 664), in which by the adaptation of an old tradition Plato makes a new beginning for his society: (10) the myth of Aristophanes respecting the division of the sexes, Sym. 189: (11) the parable of the noble captain, the pilot, and the mutinous sailors (Rep. vi. 488), in which is represented the relation of the better part of the world, and of the philosopher, to the mob of politicians: (12) the ironical tale of the pilot who plies between Athens and Aegina charging only a small payment for saving men from death, the reason being that he is uncertain whether to live or die is better for them (Gorg. 511): (13) the treatment of freemen and citizens by physicians and of slaves by their apprentices,—a somewhat laboured figure of speech intended to illustrate the two different ways in which the laws speak to men (Laws iv. 720). There also occur in Plato continuous images; some of them extend over several pages, appearing and reappearing at intervals: such as the bees stinging and stingless (paupers and thieves) in the Eighth Book of the Republic (554), who are generated in the transition from