In the next place let us consider the beautiful, what it is, and how it primarily subsists in the Gods. It is said therefore to be boniform beauty, and intelligible beauty, to be more ancient than intellectual beauty, and to be beauty itself, and the cause of beauty to all beings; and all such like epithets. And it is rightly said. But it is separate not only from the beauty which is apparent in corporeal masses, from the symmetry which is in these from psychical elegance, and intellectual splendour, but also from the second and third progressions in the Gods; and subsisting in the intelligible place of survey, it proceeds from this to all the genera of the Gods, and illuminates their superessential unities, and all the essences suspended from these unities, as far as to the apparent vehicles of the Gods. As therefore through the first goodness all the Gods are boniform, and through intelligible wisdom they have a knowledge ineffable, and established above intellect, thus also, I think, through the summit of beauty, every thing divine is lovely. For from thence all the Gods derive beauty, and being filled with it, fill the natures posterior to themselves, exciting all things, agitating them with Bacchic fury about the love of themselves, and pouring supernally on all things the divine effluxion of beauty. Such therefore, in short, is divine beauty, the supplier of divine hilarity, familiarity and friendship. For through this the Gods are united to and rejoice in each other, admire, and are delighted in communicating with each other, and in their mutual replenishings, and do not desert the order which they are always allotted in the distributions of themselves. Plato also delivers three indications of this beauty, in the Banquet indeed, denominating it the delicate; for the perfect and that which is most blessed, accedes to the beautiful through the participation of goodness. But he this speaks of it in that dialogue: “That which is truly beautiful, is delicate, perfect and most blessed.” One of the indications therefore of the beautiful, is a thing of this kind, viz. the delicate. But we may assume another indication of it from the Phædrus, viz. the splendid. For Plato attributing this to the beautiful says: “It was then that we were permitted to see splendid beauty shining upon us &c.” And afterwards he adds: “And arriving hither we apprehended it shining most manifestly through the clearest of the senses.” And at last he says: “But now beauty alone has this allotment to be most splendid and most lovely.” These two things therefore are to be assumed as indications of beauty. Another indication of beauty is this, that it is the object of love, which now also Plato appears to me to have called most lovely. And in many other places he shows that the amatory fury is conversant with the beautiful, defining, and in short, suspending love from the monad of beauty. “For love, says he, is conversant with the beautiful.”