The Messiah of the Cylinder — Jean-Jacques Rousseau — John Shaqi
The Messiah of the Cylinder
Jean-Jacques Rousseau · en
Sanson was too shrewd not to see immediately that he had struck the
wrong note. He swung himself about, facing the captives on the opposite
span, and his voice reverberated through the Temple.
“You have demanded sacrifices, human sacrifices,” he cried, “and you
shall have them, but not in honor of the Ant. There is no Ant, no God.
But there is Freedom, hidden within the cylinder where she has lain
since the beginnings of time, waiting for this day to dawn, now ready to
emerge into a world set free. To her we sacrifice!”
He stood there, a dramatic figure, the incarnation of rebellious pride,
Lucifer defying God, or some old Titan in revolt against Olympus. But,
as he paused, the cracked voice of the old bishop piped through the
Temple.
“But I can give you eternal life, my people,” he cried clearly. “I have
the Word that alone can set you free. It is the same that Bonham spoke
to you in Westminster Hall while he was burning. You heard him and went
home, and some were afraid, some wondered, and some forgot; but that
Word never dies, and it will be told soon in a million homes, because,
by God’s mercy, the Russians are at hand to set you free.”
The deep-breathed “Ah!” that followed was not of hate but of fear.
Something was stirring in the hearts of the multitude, molding them
against knowledge and will. I felt it, too: a mighty spiritual power, a
Light that clove the darkness. I saw the old bishop stand out at the end
of the span and shake his clenched hand at Sanson, silent, opposite.
“You cannot raise one finger save by the will of Him whom you deny,
Sanson!” he said. “You are not going to make any sacrifices. You, who
have raised your will against heaven, this night your soul will be
required of you!”
The sense of something imminent and mighty shook my limbs. I stood up,
clinging against the grille. There was no sound in all the Temple.
Protagonists in the eternal drama, the bishop and Sanson faced each
other.
Suddenly I perceived that the solar light above the bishop had moved. It
had moved outward; and now it was approaching me. And the light above
Sanson was moving, too. I understood what was happening. Sanson had
quietly given the command for the bridges to be swung together.
An instant later the little lights that crossed the gloom were
dissipated as ten thousand more flashed out, illumining the vast
interior of the Temple. I saw the packed multitudes below, thousands on
thousands, their faces upturned, each with the same stamp of fear on it,
as if the same workman had carved the features. I saw the groins and
arches, the gallery above me, filled with the Guard; Sanson upon one
nearing bridge, his Guard about him, too; upon the other, David,
Elizabeth of the slender figure and the clasped hands, and Bishop Alfred
and the rest of the prisoners. I waited, my arms about Esther.
Once more I heard a single sigh float upward. Then the woman’s voice
that had shrieked before cried piercingly: