The Essays of Arthur Schopenhauer; The Art of Literature
Schopenhauer · en
When the reader takes all this into consideration, he should be
surprised, not that great work is so late in winning reputation, but
that it wins it at all. And as a matter of fact, fame comes only by a
slow and complex process. The stupid person is by degrees forced, and
as it were, tamed, into recognizing the superiority of one who stands
immediately above him; this one in his turn bows before some one else;
and so it goes on until the weight of the votes gradually prevail over
their number; and this is just the condition of all genuine, in other
words, deserved fame. But until then, the greatest genius, even after
he has passed his time of trial, stands like a king amidst a crowd of
his own subjects, who do not know him by sight and therefore will not
do his behests; unless, indeed, his chief ministers of state are in
his train. For no subordinate official can be the direct recipient of
the royal commands, as he knows only the signature of his immediate
superior; and this is repeated all the way up into the highest ranks,
where the under-secretary attests the minister's signature, and the
minister that of the king. There are analogous stages to be passed
before a genius can attain widespread fame. This is why his reputation
most easily comes to a standstill at the very outset; because the
highest authorities, of whom there can be but few, are most frequently
not to be found; but the further down he goes in the scale the more
numerous are those who take the word from above, so that his fame is
no more arrested.
We must console ourselves for this state of things by reflecting that
it is really fortunate that the greater number of men do not form a
judgment on their own responsibility, but merely take it on authority.
For what sort of criticism should we have on Plato and Kant, Homer,
Shakespeare and Goethe, if every man were to form his opinion by what
he really has and enjoys of these writers, instead of being forced by
authority to speak of them in a fit and proper way, however little
he may really feel what he says. Unless something of this kind took
place, it would be impossible for true merit, in any high sphere, to
attain fame at all. At the same time it is also fortunate that every
man has just so much critical power of his own as is necessary for
recognizing the superiority of those who are placed immediately over
him, and for following their lead. This means that the many come in
the end to submit to the authority of the few; and there results that
hierarchy of critical judgments on which is based the possibility of a
steady, and eventually wide-reaching, fame.
The lowest class in the community is quite impervious to the merits
of a great genius; and for these people there is nothing left but the
monument raised to him, which, by the impression it produces on their
senses, awakes in them a dim idea of the man's greatness.