The Essays of Arthur Schopenhauer; The Art of Literature
Schopenhauer · en
Literary journals should be a dam against the unconscionable
scribbling of the age, and the ever-increasing deluge of bad and
useless books. Their judgments should be uncorrupted, just and
rigorous; and every piece of bad work done by an incapable person;
every device by which the empty head tries to come to the assistance
of the empty purse, that is to say, about nine-tenths of all existing
books, should be mercilessly scourged. Literary journals would then
perform their duty, which is to keep down the craving for writing and
put a check upon the deception of the public, instead of furthering
these evils by a miserable toleration, which plays into the hands of
author and publisher, and robs the reader of his time and his money.
If there were such a paper as I mean, every bad writer, every
brainless compiler, every plagiarist from other's books, every hollow
and incapable place-hunter, every sham-philosopher, every vain and
languishing poetaster, would shudder at the prospect of the pillory
in which his bad work would inevitably have to stand soon after
publication. This would paralyze his twitching fingers, to the true
welfare of literature, in which what is bad is not only useless but
positively pernicious. Now, most books are bad and ought to have
remained unwritten. Consequently praise should be as rare as is now
the case with blame, which is withheld under the influence of personal
considerations, coupled with the maxim _accedas socius, laudes
lauderis ut absens_.
It is quite wrong to try to introduce into literature the same
toleration as must necessarily prevail in society towards those
stupid, brainless people who everywhere swarm in it. In literature
such people are impudent intruders; and to disparage the bad is here
duty towards the good; for he who thinks nothing bad will think
nothing good either. Politeness, which has its source in social
relations, is in literature an alien, and often injurious, element;
because it exacts that bad work shall be called good. In this way the
very aim of science and art is directly frustrated.
The ideal journal could, to be sure, be written only by people who
joined incorruptible honesty with rare knowledge and still rarer power
of judgment; so that perhaps there could, at the very most, be one,
and even hardly one, in the whole country; but there it would stand,
like a just Aeropagus, every member of which would have to be elected
by all the others. Under the system that prevails at present, literary
journals are carried on by a clique, and secretly perhaps also by
booksellers for the good of the trade; and they are often nothing but
coalitions of bad heads to prevent the good ones succeeding. As
Goethe once remarked to me, nowhere is there so much dishonesty as in
literature.