The Essays of Arthur Schopenhauer; The Art of Literature
Schopenhauer · en
But, above all, anonymity, that shield of all literary rascality,
would have to disappear. It was introduced under the pretext of
protecting the honest critic, who warned the public, against the
resentment of the author and his friends. But where there is one case
of this sort, there will be a hundred where it merely serves to take
all responsibility from the man who cannot stand by what he has said,
or possibly to conceal the shame of one who has been cowardly and base
enough to recommend a book to the public for the purpose of putting
money into his own pocket. Often enough it is only a cloak for
covering the obscurity, incompetence and insignificance of the critic.
It is incredible what impudence these fellows will show, and what
literary trickery they will venture to commit, as soon as they know
they are safe under the shadow of anonymity. Let me recommend a
general _Anti-criticism_, a universal medicine or panacea, to put a
stop to all anonymous reviewing, whether it praises the bad or blames
the good: _Rascal! your name_! For a man to wrap himself up and draw
his hat over his face, and then fall upon people who are walking about
without any disguise--this is not the part of a gentleman, it is the
part of a scoundrel and a knave.
An anonymous review has no more authority than an anonymous letter;
and one should be received with the same mistrust as the other. Or
shall we take the name of the man who consents to preside over what
is, in the strict sense of the word, _une société anonyme_ as a
guarantee for the veracity of his colleagues?
Even Rousseau, in the preface to the _Nouvelle Heloïse_, declares
_tout honnête homme doit avouer les livres qu'il public_; which in
plain language means that every honorable man ought to sign his
articles, and that no one is honorable who does not do so. How much
truer this is of polemical writing, which is the general character
of reviews! Riemer was quite right in the opinion he gives in his
_Reminiscences of Goethe:[1] An overt enemy_, he says, _an enemy
who meets you face to face, is an honorable man, who will treat you
fairly, and with whom you can come to terms and be reconciled: but an
enemy who conceals himself_ is a base, cowardly scoundrel, _who has
not courage enough to avow his own judgment; it is not his opinion
that he cares about, but only the secret pleasures of wreaking his
anger without being found out or punished._ This will also have been
Goethe's opinion, as he was generally the source from which Riemer
drew his observations. And, indeed, Rousseau's maxim applies to
every line that is printed. Would a man in a mask ever be allowed to
harangue a mob, or speak in any assembly; and that, too, when he was
going to attack others and overwhelm them with abuse?
[Footnote 1: Preface, p. xxix.]