The Essays of Arthur Schopenhauer: the Wisdom of Life — Schopenhauer — John Shaqi
The Essays of Arthur Schopenhauer: the Wisdom of Life
Schopenhauer · en
[Footnote 3: Diogenes Laertius, ii., 21.]
[Footnote 4: _Ibid_ 36.]
Crates, the celebrated Cynic philosopher, got such a box on the ear
from Nicodromus, the musician, that his face swelled up and became
black and blue; whereupon he put a label on his forehead, with the
inscription, _Nicodromus fecit_, which brought much disgrace to the
fluteplayer who had committed such a piece of brutality upon the man
whom all Athens honored as a household god.[1] And in a letter to
Melesippus, Diogenes of Sinope tells us that he got a beating from the
drunken sons of the Athenians; but he adds that it was a matter of no
importance.[2] And Seneca devotes the last few chapters of his _De
Constantia_ to a lengthy discussion on insult--_contumelia_; in order
to show that a wise man will take no notice of it. In Chapter XIV, he
says, _What shall a wise man do, if he is given a blow? What Cato did,
when some one struck him on the mouth;--not fire up or avenge the
insult, or even return the blow, but simply ignore it_.
[Footnote 1: Diogenes Laertius, vi. 87, and Apul: Flor: p. 126.]
[Footnote 2: Cf. Casaubon's Note, Diog. Laert., vi. 33.]
_Yes_, you say, _but these men were philosophers_.--And you are fools,
eh? Precisely.
It is clear that the whole code of knightly honor was utterly unknown
to the ancients; for the simple reason that they always took a natural
and unprejudiced view of human affairs, and did not allow themselves
to be influenced by any such vicious and abominable folly. A blow
in the face was to them a blow and nothing more, a trivial physical
injury; whereas the moderns make a catastrophe out of it, a theme for
a tragedy; as, for instance, in the _Cid_ of Corneille, or in a
recent German comedy of middle-class life, called _The Power of
Circumstance_, which should have been entitled _The Power of
Prejudice_. If a member of the National Assembly at Paris got a blow
on the ear, it would resound from one end of Europe to the other. The
examples which I have given of the way in which such an occurrence
would have been treated in classic times may not suit the ideas of
_honorable people_; so let me recommend to their notice, as a kind of
antidote, the story of Monsieur Desglands in Diderot's masterpiece,
_Jacques le fataliste_. It is an excellent specimen of modern knightly
honor, which, no doubt, they will find enjoyable and edifying.[1]