The principal reason given is, that these gentlemen and ladies represent the passions; but if depicting the human heart merits so horrible a disgrace, a greater rigor should be used with painters and sculptors. There are many licentious pictures which are publicly sold, while we do not represent a single dramatic poem which maintains not the strictest decorum. The Venus of Titian and that of Correggio are quite naked, and are at all times dangerous for our modest youth; but comedians only recite the admirable lines of "Cinna" for about two hours, and with the approbation of the magistracy under the royal authority. Why, therefore, are these living personages on the stage more condemned than these mute comedians on canvas? "_Ut pictura poesis erit_." What would Sophocles and Euripides have said, if they could have foreseen that a people, who only ceased to be barbarous by imitating them, would one day inflict this disgrace upon the stage, which in their time received such high glory? Esopus and Roscius were not Roman senators, it is true; but the Flamen did not declare them infamous; and the art of Terence was not doubted. The great pope and prince, Leo X., to whom we owe the renewal of good tragedy and comedy in Europe, and who caused dramatic pieces to be represented in his palace with so much magnificence, foresaw not that one day, in a part of Gaul, the descendants of the Celts and the Goths would believe they had a right to disgrace that which he honored. If Cardinal Richelieu had lived--he who caused the Palais Royal to be built, and to whom France owes the stage--he would no longer have suffered them to have dared to cover with ignominy those whom he employed to recite his own works.