A Belle of the Fifties: Memoirs of Mrs. Clay of Alabama, covering social and political life in Washington and the South, 1853-1866. Put into narrative form by Ada Sterling — John Shaqi
A Belle of the Fifties: Memoirs of Mrs. Clay of Alabama, covering social and political life in Washington and the South, 1853-1866. Put into narrative form by Ada SterlingClay-Clopton, Virginia
History
A Belle of the Fifties: Memoirs of Mrs. Clay of Alabama, covering social and political life in Washington and the South, 1853-1866. Put into narrative form by Ada Sterling
Clay-Clopton, Virginia
Clay-Clopton, Virginia, 1825-1915; Confederate States of America -- Social life and customs; Southern States -- Social life and customs -- 1775-1865; United States -- History -- Civil War, 1861-1865 -- Personal narratives, Confederate; Washington (D.C.) -- Social life and customs -- 19th century
We were about to withdraw from this gay scene when the Chevalier
Bertinatti, with the utmost enthusiasm, begged us to stay. “You must!”
he cried. “Ze elephant is coming! I assure you zere ees not hees equal
for ze fun!” A moment more and we fully agreed with him. Even as he
spoke, the doors opened and Mr. Palmer bounded in, a gorgeously got-up
ring-master. I saw my own crimson opera cloak about his shoulders and a
turban formed of many coloured _rebozos_ of other guests twisted
together in truly artistic manner.
“Ladies and gentlemen!” he began grandiloquently, “I have the honour to
present to your astonished eyes the grand elephant, Hannibal, costing to
import twenty thousand dollars, and weighing six thousand pounds! An
elephant, ladies and gentlemen, whose average cost is three and one-half
dollars a pound! He is a marvellous animal, ladies and gentlemen,
warranted to be as intrepid as his namesake! He has been called a
vicious creature, but in the present company I intend to prove him as
docile as—the ladies themselves! Advance, Hannibal!”
He threw himself prone upon the floor as the wide doors opened and
“Hannibal” lumbered in, deliberately wagging his trunk from side to
side, in a manner that was startlingly lifelike.
Arrived at the prostrate ring-master, he put out one shapeless leg (at
the bottom of which a handsomely shod man’s foot appeared) and touched
the prostrate one lightly, as if fearful of hurting him; he advanced and
retreated several times, wagging his trunk the while; until, at last, at
the urgings of the recumbent hero, the animal stepped cleanly over him.
Now, with a motion of triumph, Mr. Palmer sprang up and, crossing his
arms proudly over his bosom, cried, “Ladies and gentlemen! I _live_!”
and awaited the applause which rang out merrily. Then, leaping lightly
upon his docile pet’s back, the latter galloped madly around the room
and made for the door amid screams and shouts of laughter.
In the mad exit, however, the mystery of the elephant was revealed; for
his hide, the rubber cover of Mrs. Riggs’s grand piano, slipped from the
shoulders of the hilarious young men who supported it, and “Hannibal”
disappeared in a confusion of brilliant opera cloaks, black coats,
fleeing patent-leathers, and trailing piano cover!
This climax was a fitting close to our evening’s funmaking. As our host
accompanied us to the door, he said slyly to my husband, “Not a word of
this, Clay! To-night must be as secret as a Democratic caucus, or we
shall all be tabooed.”
CHAPTER III
A HISTORIC CONGRESSIONAL “MESS”
Our “mess” at Brown’s Hotel shortly became so well-known, because of the
interest attaching to so many of its members, that the enterprising
proprietress of (what afterward became known as) the Ebbitt House, Mrs.
Smith, came in person, with tempting terms to lure us to her newer
establishment.
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