A Bill of Divorcement: A Play in Three Acts — John Shaqi
A Bill of Divorcement: A Play in Three ActsDane, Clemence
General
A Bill of Divorcement: A Play in Three Acts
Dane, Clemence
England -- Social life and customs -- 20th century -- Drama; Families -- Drama; Man-woman relationships -- Drama; Mental illness -- Drama
HILARY. Sydney. Sydney, eh? My mother was Sydney. I like Sydney.
I-- [_catching at his dignity_] I suppose we’re rather a shock to each
other--Sydney.
SYDNEY. No. You’re not a shock to me. But I’m afraid--
HILARY. [_Breaking in_] Is my--? Is your--? Where’s Margaret?
SYDNEY. At church.
HILARY. Back soon, eh?
SYDNEY. Yes, that’s why I’m afraid--
HILARY. [_Unheeding_] I might go to meet her, eh?
SYDNEY. [_Quickly_] Oh, I wouldn’t. Come and sit down and wait for her
and talk.
HILARY. [_Obediently_] Very well. [_He sits down beside her on the sofa.
They look at each other. He says shyly_] I say, isn’t this queer?
SYDNEY. It makes me want to cry.
HILARY. Why? That’s all over. Laugh! Laugh! That’s the thing to do. What
a lovely room this is! I can’t say I like the new paper--or the
curtains!
SYDNEY. [_Quickly_] Yes, I liked the old red ones, too. [_Then, with an
effort_] Those--aren’t--the only changes. Everything changes--
HILARY. [_Swiftly_] Bet you Aunt Hester hasn’t, eh? [_They look at each
other and laugh._] And I bet you--I say, is your mother such a darling
still?
SYDNEY. [_Recalled to the business before her, brusquely_] Look
here--Father--
HILARY. [_Savouring it_] “Father!” “Father!” Well?
SYDNEY. We’ve got to talk. We’ve got to get things straight before she
comes back.
HILARY. [_His eye and his attention beginning to wander_] Back soon, eh?
Why has Meg moved the clock? It was much better where we put it. Must
get it put back. Nearly one. She’s late, isn’t she? I--I really think,
you know, I’ll go out and meet your mother.
SYDNEY. [_Authoritatively_] You’re to stay here.
HILARY. [_Beginning obediently_] Very well-- [_He flares suddenly_] I’ll
do as I like about that.
SYDNEY. [_Passionately_] I’ll not have you frighten her.
HILARY. I? [_He smiles securely._]
SYDNEY. Can’t you realise what the shock--?
HILARY. [_Blissfully_] Never known anyone die of joy yet!
SYDNEY. Father, you don’t understand! You and mother--
HILARY. [_Getting irritated_] Look here, this is nothing to do with
you--
SYDNEY. But you mustn’t--
HILARY [_Violently_] Now I tell you I’m not going to be hectored. I
won’t stand it. I’ve had enough of it. D’you hear? I’ve had enough of
it.
SYDNEY. If you talk to my mother like this--
HILARY. [_Softening_] Meg understands.
SYDNEY [_Jealously_] So do I understand.
HILARY. I believe you do. You got wild all in a moment. That’s my way,
too. It means nothing. Meg can’t see that it means nothing. But it makes
a man wild, you know, to be dragooned when he’s as sane as--my God, I
_am_ sane! That’s all over, isn’t it? I am sane. Daughter!
SYDNEY. [_Watching him_] Father?
HILARY. Don’t let me get--that way. It’s bad. Help me to go slow. I’m as
well as you are, you know. But it’s new. It only happened to-day--like a
curtain lifting. [_Confidentially_] You see I was standing in the
garden--
SYDNEY. I can’t conceive how you got away.
Public-domain text, read in full here on John Shaqi.
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