A Bill of Divorcement: A Play in Three ActsDane, Clemence
General
A Bill of Divorcement: A Play in Three Acts
Dane, Clemence
England -- Social life and customs -- 20th century -- Drama; Families -- Drama; Man-woman relationships -- Drama; Mental illness -- Drama
HILARY. Led. Like Peter out of prison. I went through the gate, openly.
Their eyes were blinded. [_With a complete change of tone_] Pure luck,
you know. There were visitors going out--and I nipped along with them,
talking. No-one spotted me. I wouldn’t have believed it possible. Heaps
of us--of them, I mean--have tried, you know.
SYDNEY. But you’d no money.
HILARY. [_Whimsically_] I took the first taxi I saw. Promised him
double. He’s at the lower gate now, waiting to be paid.
SYDNEY. Father, _dear_! Ticking away the tuppences! We’re not
millionaires!
HILARY. [_Carelessly_] Your mother’ll see to it. [_Sound of a motor
horn_] That’s him! I suppose he’s got tired of waiting and come round.
SYDNEY. No, no! That’ll be Mother. You mustn’t stop here. You must let
me tell her. You must let me tell her first. [_She goes out hurriedly._]
HILARY. Your mother, is it? Your mother, eh? Here--child--a minute, give
me a minute! give me a minute!
MARGARET. [_As she comes in_] No--he couldn’t. But he’s coming round
directly after lunch--Hilary!
HILARY. [_Like a man who can’t see_] Meg! Is it Meg? Meg, I’ve come
home.
MARGARET. [_Terrified_] Sydney, don’t go away!
SYDNEY. It’s all right, Mother!
HILARY. Meg!
MARGARET. But they said--they said--incurable. They shouldn’t have
said--incurable.
HILARY. What does it matter? I’m well. I’m well, Meg! I tell you--it
came over me like a lantern flash--like a face turning to you. I was in
the garden, you know--lost. I was a lost soul--outcast! No hope. I can
never make anyone understand. I was never like the rest of them. I was
sane, always--but--the face was turned away.
SYDNEY. What face?
HILARY. The face of God.
MARGARET. Sydney--is he--?
SYDNEY.--It’s all right, Mother! That isn’t madness. He’s come to
himself.
MARGARET. Then--then--what am I to do?
HILARY. What’s that? [_He comes nearer._]
MARGARET. I--I--
HILARY. [_Staring at her_] You don’t say a word. One would think you
weren’t glad to see me. Aren’t you glad to see me?
MARGARET. Of course--glad--you poor Hilary!
HILARY. If you knew what it is to say to myself--I’m at home! That
place--!
MARGARET. [_Mechanically_] Oh, but there was every comfort.
HILARY. Hell! Hell!
MARGARET. [_Insisting_] But they were good to you?
HILARY. Good enough.
MARGARET. [_In acute distress_] They didn’t--ill-treat--?
SYDNEY. Mother, you know you did the very best--
HILARY. If it had been heaven--what difference does it make? I was a
dead man. Do you know what the dead do in heaven? They sit on their
golden chairs and sicken for home. Why did you never come?
MARGARET. They wouldn’t let me. It made you worse.
HILARY. Because I wanted you so.
MARGARET. But you didn’t know me.
Public-domain text, read in full here on John Shaqi.
A Bill of Divorcement: A Play in Three Acts — John Shaqi
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