A Bill of Divorcement: A Play in Three Acts — John Shaqi
A Bill of Divorcement: A Play in Three ActsDane, Clemence
General
A Bill of Divorcement: A Play in Three Acts
Dane, Clemence
England -- Social life and customs -- 20th century -- Drama; Families -- Drama; Man-woman relationships -- Drama; Mental illness -- Drama
HESTER FAIRFIELD _is one of those twitching, high-minded, elderly
ladies in black, who keep a grievance as they might keep a pet
dog--as soon as it dies they replace it by another. The grievance
of the moment seems to be the empty third chair, and_ MARGARET
FAIRFIELD _is, as usual, on the defensive. Such a little, pretty,
helpless-looking woman as_ MARGARET _has generally half a dozen big
sons and a husband to bully; but_ MARGARET _has only a daughter,
and her way of looking at even the chair on which that daughter
ought to be sitting, is the way of a child whose doll has suddenly
come to life. For the rest, she is so youthfully anxious and simple
and charming that the streak of grey in her hair puzzles you. You
wonder what trouble has fingered it. It does not occur to you that
she is quite thirty-five._
MARGARET. [_Apologising_] Yes, she is late.
MISS FAIRFIELD. As usual!
MARGARET. Oh, well, she was dancing till three. I hadn’t the heart to
wake her.
MISS FAIRFIELD. Till three, was she? Who brought her home?
MARGARET. Kit, of course.
MISS FAIRFIELD. Three o’clock on Christmas morning! I wonder what the
Rector said to that.
MARGARET. Oh, Kit’s on holiday.
MISS FAIRFIELD. I heard you tell her myself to be in by twelve. If
anything could make me approve of this marriage of yours--
MARGARET. Oh, don’t begin it again, Auntie!
MISS FAIRFIELD.--it’s that the child will have a strong hand over her at
last. A step-father’s better than nothing--if you can call him a
step-father when her father’s still alive.
MARGARET. Oh, don’t!
MISS FAIRFIELD. What’s the use of saying “don’t”? He _is_ alive. You
can’t get away from that.
MARGARET. Aunt Hester--_please_!
MISS FAIRFIELD. Well, I’m only telling you--if it’s got to be, I’m not
sorry it’s Gray Meredith.
MARGARET. [_Smiling_] Yes, Sydney knows just how far she may go with
Gray.
MISS FAIRFIELD. I see nothing to laugh at in that.
MARGARET. It’s so funny to think how circumspect you all are with him.
He’s the one person I’ve always felt perfectly safe with. I’d ask
anything of Gray.
MISS FAIRFIELD. [_Grimly_] You always have, my dear!
MARGARET. I don’t know why you should be unkind to me on Christmas
morning.
MISS FAIRFIELD. [_With a sort of grudging affection_] I suppose it’s
because I’ve only got another week to be unkind to you in.
MARGARET. [_Restlessly_] Oh, I wish you didn’t hate it so.
MISS FAIRFIELD. My dear, when you see a person you care for, and she
your own nephew’s wife, on the brink of deadly sin--
MARGARET. Must we begin it again?
MISS FAIRFIELD. I do my duty. If you’d done yours your daughter wouldn’t
be late for breakfast, and I shouldn’t be given the opportunity.
MARGARET. Perhaps I _had_ better call her.
MISS FAIRFIELD. Everything getting cold--and so disrespectful! She ought
to be taught.
Public-domain text, read in full here on John Shaqi.
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