A Bill of Divorcement: A Play in Three Acts — John Shaqi
A Bill of Divorcement: A Play in Three ActsDane, Clemence
General
A Bill of Divorcement: A Play in Three Acts
Dane, Clemence
England -- Social life and customs -- 20th century -- Drama; Families -- Drama; Man-woman relationships -- Drama; Mental illness -- Drama
MARGARET. [_Rising with a sigh_] You’re quite right. [_Calling at the
foot of the stairs_] Sydney, darling, shall I bring you up your coffee?
SYDNEY’S VOICE. [_Answering_] It’s all right, Mother! I’m coming.
MISS FAIRFIELD. And I suppose that’s all you’ll say.
SYDNEY _comes out of her room. She is physically a bigger, fairer
edition of_ MARGARET, _but there the likeness ends. Her manner is
brisk and decided. She is very sure of herself, but when she loses
her temper, as she often does, she loses her aplomb and reveals the
schoolgirl. Her attitude to the world is that of justice,
untempered, except where her mother is in question, by mercy. But
she is very fond of her mother._
SYDNEY. [_Running down the stairs_] Merry Christmas, everyone! I’m not
late, am I? Morning, Auntie! What, no post?
MARGARET. It gets later every year.
MISS FAIRFIELD. I’m very much obliged to you, Sydney, for
the--card-case.
SYDNEY. [_Undoing her parcels_] It’s a cigarette case, Auntie dear. You
see, I thought if you gave me a prayer-book again we might do a deal.
Ah, I thought so! Thanks most awfully. It’s sweet of you. Shall we?
MISS FAIRFIELD. What?
SYDNEY. Swop.
MARGARET. Sydney, dear, that’s rather rude.
SYDNEY. [_Swiftly_] Well, Mother, I hate being hinted at.
MARGARET. [_Bewildered_] Hint? What hint?
SYDNEY. Oh, Mother, you’re such a lamb. You never see anything. [_To_
MISS FAIRFIELD] I’m sorry, Auntie, but I’m seventeen, and I’ve left
school, and I am not going to church to-day, or any day any more ever,
except to chaperon Mother and Gray next week, bless ’em!
MISS FAIRFIELD. I do think, Margaret, she ought at least to call him
Uncle.
MARGARET. Aren’t you coming with us to-day, darling? Christmas Day?
SYDNEY. Sorry, Mother. It’s against my principles. I refuse to kneel
down and say I’m a miserable sinner. I’m not miserable and I’m not a
sinner, and I cannot tell a lie to please any old--prayer-book. Besides,
I’m expecting Kit.
MISS FAIRFIELD. You’ll find that Kit takes his mother to church. _She_
hasn’t lost all her influence--
SYDNEY. [_Darkly_] She’ll be finding herself up against me soon.
MARGARET. [_Like a schoolgirl_] Oh, Sydney, has he--?
SYDNEY. He’s trying his hardest to, but I like to sort of _spread_ my
jam.
MARGARET. Then--then--?
SYDNEY. I’m not actually engaged, if you mean that-- [_Watching their
faces mischievously_] but I’m going to be.
MISS FAIRFIELD. Engaged at seventeen! Preposterous!
SYDNEY. [_Instantly_] Mother was married at seventeen.
MARGARET. That was the war.
SYDNEY. I don’t see what that’s got to do with it.
MARGARET. [_Timidly_] Sydney--at seventeen, one doesn’t know enough--
SYDNEY. One doesn’t know the same things, I dare say.
MARGARET. One doesn’t know anything at all.
SYDNEY. Yes, but think of the hopeless sort of world you were seventeen
in--even you. As for poor Auntie, as far as knowing things goes--
MARGARET. Sydney, my dear, be good!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account