A Bill of Divorcement: A Play in Three ActsDane, Clemence
General
A Bill of Divorcement: A Play in Three Acts
Dane, Clemence
England -- Social life and customs -- 20th century -- Drama; Families -- Drama; Man-woman relationships -- Drama; Mental illness -- Drama
MISS FAIRFIELD. For me, at any rate--too far and too fast altogether!
Before ladies! It’s not nice. It’s enough to call down a judgment.
BASSETT. [_Entering_] Mr. Pumphrey to see you, ma’am. [_To_ SYDNEY] And
Mr. Kit.
MISS FAIRFIELD. [_Justified_] Ah!
MARGARET. I can’t see anyone.
BASSETT. He said, ma’am, it was important.
HILARY. Who? Who?
MISS FAIRFIELD. The Rector. I expect he’s heard about you.
HILARY. I can’t see him. I won’t see him. Let me go. I’ve met the
Levites. Spare me the priest. [_He breaks away from them and goes
stumbling out at the other door._]
SYDNEY. [_Following him anxiously_] Father!
DR. ALLIOT. [_Preventing her_] No, no, my child! I’ll look after him.
[_He goes out quickly._]
_The_ RECTOR _is an insignificant man, with an important manner and
a plum in his mouth. He enters with_ KIT, _who is flushed and
perturbed_.
RECTOR. Ah, good afternoon, Mrs. Fairfield--Miss Fairfield--
MARGARET. [_Mechanically. She is very tired and inattentive_] A happy
Christmas, Mr. Pumphrey!
RECTOR. Ah! Just so! Christmas afternoon. An unusual day to call, Mrs.
Fairfield, and, I fear, an inconvenient hour--
MARGARET. Not at all, Mr. Pumphrey.
RECTOR. I can give myself [_he takes out his watch_] till three fifteen,
no longer. The children’s service is at three thirty.
MARGARET. [_Turning to the bell_] Mayn’t I order you an early cup of
tea?
RECTOR. Thank you, thank you, no. Busy as I am, I should not have
disturbed you--
MISS FAIRFIELD. Rector, it’s as if you had been sent!
RECTOR. Ah! gratifying! I did not see you at the morning service, Miss
Fairfield. But last night--_late_ last night--
MISS FAIRFIELD. [_With a look at_ SYDNEY] Three A.M., Rector?
RECTOR. Three fifteen, Miss Fairfield.
KIT. Look here, Father--
RECTOR. I received certain information from my son--
KIT. No, you don’t, Father. I’ll have my say first. It’s just this, Mrs.
Fairfield--
RECTOR. [_Fussed_] Christopher? Christopher?
KIT. [_He is very much in earnest and he addresses himself solely to_
MARGARET] I want you to know that it is nothing to do with me, Mrs.
Fairfield. I don’t agree with my father. [_Confidentially_] You wouldn’t
think it but I never do.
RECTOR. Christopher?
KIT. [_Ignoring him_] And it was only coming up the drive that he
sprung on me why he wanted to see you, or I wouldn’t have come--
MARGARET. [_Liking him_] I think Sydney would have been sorry, Kit.
KIT. [_With a touch of his father’s manner_] Yes, well, Sydney and I
have talked it over--and I know I’m going into the church myself--but I
think he’s all wrong, Mrs. Fairfield. [_Unconscious of plagiarism_] I’m
not nineteenth century. [_But_ SYDNEY _giggles_.]
MISS FAIRFIELD. Rector, what’s the matter with the young man?
KIT. [_Forging ahead_] You see, I’m pretty keen about Sydney, and so,
naturally, I’m pretty keen about you, Mrs. Fairfield.
RECTOR. Miss Fairfield, I’m without words.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account