A Bill of Divorcement: A Play in Three ActsDane, Clemence
General
A Bill of Divorcement: A Play in Three Acts
Dane, Clemence
England -- Social life and customs -- 20th century -- Drama; Families -- Drama; Man-woman relationships -- Drama; Mental illness -- Drama
DR. ALLIOT. Stifle. Like a snake that can’t cast its skin. Grow or
perish--it’s the law of life. And so, when this young generation--yours,
not mine, Hilary--decided that the marriage laws were, I won’t say evil,
but outgrown, they set to work to change them.
MISS FAIRFIELD. You needn’t think it was without protest, Hilary. I
joined the anti-divorce league myself.
DR. ALLIOT. No, it wasn’t without protest. Mrs. Grundy and the churches
are protesting still. But in spite of protest, no man or woman to-day
is bound to a drunkard, an habitual criminal, or--
HILARY. Or--?
DR. ALLIOT. Or to a partner who, as far as we doctors know--
HILARY. But you can’t be sure!
DR. ALLIOT. I say as far as we know, is incurably insane--in practice,
is insane for more than five years.
HILARY. And if he recovers? Look at me!
DR. ALLIOT. [_With a sigh_] “It is expedient--”
HILARY. And you call that justice!
MARGARET. At least call it mercy. All the days of your life to stand at
the window, Hilary, and watch the sun shining on the other side of the
road--it’s hard, it’s hard on a woman.
DR. ALLIOT. At least call it common sense. If a man can’t live his
normal life, it’s as if he were dead. If he’s an incurable drunkard, if
he’s shut away for life in prison--
HILARY. But I’m not a drunkard. I’m not a convict. I’ve done nothing.
I’ve been to the war, to fight, for her, for all of you, for my country,
for this law-making machine that I’ve called my country. And when I’ve
got from it, not honourable scars, not medals and glory, but sixteen
years in hell, then when I get out again, then the country I’ve fought
for, the laws I’ve fought for, the woman I’ve fought for, they say to
me, “As you’ve done without her for fifteen years you can do without
her altogether.” That’s what it is. When I was helpless they conspired
behind my back to take away all I had from me. [_To_ MARGARET] Did I
ever hurt you? Didn’t I love you? Didn’t you love me? Could I help being
ill? What have I done?
SYDNEY. You died, Father.
MARGARET. Sydney, don’t be cruel.
MISS FAIRFIELD. Ah, we cry after the dead, but I’ve always wondered what
their welcome back would be.
HILARY. Well, you know now.
DR. ALLIOT. I don’t say it isn’t hard--
HILARY. Ah, you don’t say it isn’t hard. That’s good of you. That’s
sympathy indeed. And my wife--she’s full of it too, isn’t she? “Poor
dear! I was married to him once. I’d quite forgotten.”
MARGARET. For pity’s sake, Hilary!
DR. ALLIOT. Why, face it, man! One of you must suffer. Which is it to
be? The useful or the useless? the whole or the maimed? the healthy
woman with her life before her, or the man whose children ought never to
have been born?
HILARY. [_In terrible appeal_] Margaret!
SYDNEY. Is that true, Dr. Alliot? Is that true?
MARGARET. [_Her voice shaking_] I think you go too far.
DR. ALLIOT. Mrs. Fairfield, in this matter I cannot go too far.
Public-domain text, read in full here on John Shaqi.
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