A Bill of Divorcement: A Play in Three ActsDane, Clemence
General
A Bill of Divorcement: A Play in Three Acts
Dane, Clemence
England -- Social life and customs -- 20th century -- Drama; Families -- Drama; Man-woman relationships -- Drama; Mental illness -- Drama
MARGARET. But I want to know. I care about my church. It lets me and it
doesn’t let me--what does it mean?
RECTOR. [_Much moved_] I am not concerned with meanings, Mrs. Fairfield.
I am concerned with my own conscience.
MISS FAIRFIELD. Margaret--you’ve no business to upset the Rector. Why
don’t you tell him that the situation has changed?
MARGARET. Nothing has changed.
RECTOR. Changed?
MISS FAIRFIELD. My nephew has recovered--returned. He’s in the house
now.
RECTOR. Providence! It’s providence! [_With enthusiasm_] I never knew
anything like providence. Changed indeed, Miss Fairfield! My objection
goes. Dear little Sydney! Ah, Mrs. Fairfield, in a year you and your
husband will look back on this--episode as on a dream--a bad dream--
MARGARET. [_Stonily_] I have no husband.
RECTOR. Ah! the re-marriage--a mere formality--
MISS FAIRFIELD. Simpler still--the decree can be rescinded.
MARGARET. [_Stunned_] Aunt Hester, knowing his history, knowing mine, is
it possible that you expect me to go back to him?
MISS FAIRFIELD. He’s come back to you.
RECTOR. A wife’s duty--
MARGARET. [_Slowly_] I think you’re wicked. I think you’re both wicked.
RECTOR. Mrs. Fairfield!
MISS FAIRFIELD. Control yourself, Margaret!
MARGARET. [_With a touch of wildness in her manner_] You--do you love
your wife?
RECTOR. Mrs. Fairfield!
MARGARET. Do you?
RECTOR. Mrs. Pumphrey and I--most attached--
MARGARET. Suppose you weren’t. Think of it--to want so desperately to
feel--and to feel nothing. Do you know what it means to dread a person
who loves you? To stiffen at the look in their eyes? To pity
and--shudder? You should not judge.
HILARY, _unseen, opens the door and shuts it again quickly_.
RECTOR. I--I--
MISS FAIRFIELD. There it is, you see, Rector! She doesn’t care _what_
she says.
DR. ALLIOT _enters_.
DR. ALLIOT. [_Gravely, holding the door behind him_] Margaret, my
child-- [_He sees the others and his voice changes_] Hullo, Pumphrey! You
here still? Well, well--you’re cutting it fine.
RECTOR. The service! [_He pulls out his watch, stricken._]
DR. ALLIOT. I’ll run you down there if you’ll wait a minute. [_To_
MARGARET, _privately, poking a wise forefinger_] What you want, my
child, is a good cry and a cup of tea.
RECTOR. [_Coming up to_ MARGARET, _stiffly_] Goodday, Mrs. Fairfield!
You will not--reconsider--?
MARGARET. I will not.
RECTOR. I regret--I regret-- [_To_ MISS FAIRFIELD] My dear lady, you have
my sympathy. I think I left my hat-- [MISS FAIRFIELD _escorts him into
the hall_.]
DR. ALLIOT. Hilary’s coming home with me, Margaret. He wants a word with
you first. Can you manage that?
MARGARET. Of course.
DR. ALLIOT. [_Abruptly_] Where’s Meredith?
MARGARET. [_Eagerly_] He’s coming. He’s taking me away.
DR. ALLIOT. Good. The sooner the better.
RECTOR. [_Reappearing at the door_] Dr. Alliot--it now wants seven
minutes to the half.
DR. ALLIOT. Coming! Coming! See now--you can be gentle with him--
MARGARET. Of course.
Public-domain text, read in full here on John Shaqi.
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