A Bill of Divorcement: A Play in Three ActsDane, Clemence
General
A Bill of Divorcement: A Play in Three Acts
Dane, Clemence
England -- Social life and customs -- 20th century -- Drama; Families -- Drama; Man-woman relationships -- Drama; Mental illness -- Drama
DR. ALLIOT. [_With a keen look at her_] Nor yet too gentle. Well, well,
God be with you, child! [_He trots out._]
HILARY _comes in, hesitating. If he is without dignity, he is,
nevertheless, too much like a hectored, forlorn child to be
ludicrous._
HILARY. Have they gone? [_Reassuring her_] It’s all right. I’m going
too. [_He waits for her to answer. She says nothing_] I’m going. I’ve
got to. I see that. He’s made me see.
MARGARET. Dr. Alliot?
HILARY. I’m going to stay with him till I can look round. He’s going to
make it right with that place.
MARGARET. I’m glad you’ve got a good friend, Hilary.
HILARY. Yes, he’s a good chap. He’s talked to me. He’s made me see. [_He
comes a little closer._] He says--and I do see--It’s too late, of
course-- [_his look at her is a petition, but she makes no sign_] isn’t
it? [_He comes nearer._] Yes--it’s too late. It wouldn’t be fair--to ask
you-- [_again the look_] would it?
MARGARET. [_Imploringly_] Oh, Hilary, Hilary!
HILARY. [_Encouraged to come closer_] No woman could be expected--you
couldn’t be expected-- [_she makes no sign_] could you? [_Repeating his
lesson_] It’s what he says--you’ve made a new life for yourself-- [_he
waits_] haven’t you? There’s no room in it--for me--is there? [_He is
close to her. She does not move._] So it’s just a case of--saying
good-bye and going, because--because--I quite see--there’s no
chance-- [_Suddenly he throws himself down beside her, catching at her
hands, clinging to her knees_] Oh! Meg, Meg, Meg! isn’t there just a
chance?
MARGARET. [_Faintly_] Hilary, I can’t stand it.
HILARY. [_And from now to the end of the scene he is at full pelt,
tumbling over his words, frantic_] Yes, but listen to me! Listen to me!
You don’t listen. Listen to me! I’ve been alone so long--
MARGARET. Gray! Gray! Why don’t you come?
HILARY. I’ll not trouble you. I’ll not get in your way--but--don’t leave
me all alone. Give me something--the rustle of your dress, the cushion
where you’ve lain--your voice about the house. You can’t deny me such
little things, that you give your servant and your dog.
MARGARET. It’s madness--
HILARY. It’s naked need!
MARGARET. What good should I be to you? I don’t love you, Hilary--poor
Hilary. I love him. I never think of anything but him.
HILARY. But it’s me you married. You promised--you promised--better or
worse--in sickness in health--You can’t go back on your promise.
MARGARET. It isn’t fair.
HILARY. Anything’s fair! You don’t know what misery means.
MARGARET. I’m learning.
HILARY. But you don’t _know_. You couldn’t leave me to it if you knew.
Why, I’ve never known you hurt a creature in all your life! Remember
the rat-hunts in the barn, the way we used to chaff you? and the
starling? and the kitten you found? Why, I’ve seen you step aside for a
little creeping green thing on the path. You’ve never hurt anything.
Then how can you hurt me so? You can’t have changed since yesterday--
Public-domain text, read in full here on John Shaqi.
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