A Bill of Divorcement: A Play in Three ActsDane, Clemence
General
A Bill of Divorcement: A Play in Three Acts
Dane, Clemence
England -- Social life and customs -- 20th century -- Drama; Families -- Drama; Man-woman relationships -- Drama; Mental illness -- Drama
SYDNEY. It’s only Mother.
MARGARET _comes dragging into the room, shutting the door behind
her_.
SYDNEY. [_The laughter dying out of her_] Oh, Mother, how white you
look!
MARGARET. Has Kit gone?
SYDNEY. No, but I can get rid of him if you want me to.
MARGARET. I want him to wait. I want him to take a letter for me to
Gray.
SYDNEY. Do you want Gray to come here?
MARGARET. I want him not to come here.
SYDNEY. Oh, I see, not till after Father’s gone.
MARGARET. He’s not going.
SYDNEY. Mother!
MARGARET _looks at her with twitching lips_.
SYDNEY. Mother, you haven’t--
MARGARET. I can’t talk to you now, Sydney.
SYDNEY. But Mother--
MARGARET. Please.
SYDNEY. But Mother--
MARGARET. Ask Kit to wait a few minutes.
SYDNEY. But--
MARGARET _goes into the inner room and sits down to write at a
little desk near the window. Her back is turned to them and she is
soon absorbed in her letter._ SYDNEY _stands deep in thought_.
KIT. [_At the foot of the stairs_] All serene?
SYDNEY _makes no answer_. KIT _prances up behind her with the bunch
of mistletoe_.
KIT. [_Repeating his success_] “The mistletoe hung in the old oak hall!”
SYDNEY. [_Violently_] Oh, for God’s sake, stop it!
KIT. [_Quenched_] What’s the row?
SYDNEY. You never know when to stop.
KIT. Well, you needn’t snap out at a person--
SYDNEY. [_Impulsively_] Sorry! Oh, sorry, old man! I’m jumpy to-day.
KIT. [_Chaffing her_] Nervy old thing!
SYDNEY. [_Stricken_] I--I suppose I am.
KIT. One minute you’re as nice as pie, and then you fizz up like a
seidlitz powder, all about nothing.
SYDNEY. All about nothing. Sorry, my old Kit, sorry! [_She flings
herself down on the sofa. Then, with an effort_] Come and talk. What’s
the news?
KIT. I told you it all this morning. What’s yours?
SYDNEY. I like yours better. How’s the pamphlet going?
KIT. Nearly done. I put in all your stuff.
SYDNEY. [_Absently_] Good.
KIT. Though you know, I don’t agree with it. What I feel is--you’re not
listening.
SYDNEY. [_Slowly_] Kit, talking of that paper--I read somewhere--suppose
now--is it true it can skip a generation?
KIT. It? What?
SYDNEY. Oh--any illness. Consumption or--well, say insanity.
Suppose--_you_, for instance--suppose you were a queer family--a little,
you know. Say your mother or your father was queer--and you weren’t.
You were perfectly fit, you understand, perfectly fit--
KIT. Well?
SYDNEY. What about the children?
KIT. I wouldn’t risk it. Thank the Lord your father’s only shell-shock.
SYDNEY. Why?
KIT. You can’t pass on shell-shock.
SYDNEY. Then you can pass on insanity--even if you’re fit yourself?
KIT. Of course you can.
SYDNEY. It would be very wicked, wouldn’t it--to children? Oh, it would
be wicked. I suppose when people are in love they don’t think.
KIT. Won’t think.
SYDNEY. But isn’t there a school that says there’s no such thing as
heredity?
KIT. Well, all I know is I wouldn’t risk it.
SYDNEY. It--it’s hard on people.
Public-domain text, read in full here on John Shaqi.
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