A Bill of Divorcement: A Play in Three ActsDane, Clemence
General
A Bill of Divorcement: A Play in Three Acts
Dane, Clemence
England -- Social life and customs -- 20th century -- Drama; Families -- Drama; Man-woman relationships -- Drama; Mental illness -- Drama
MARGARET. [_In despairing protest_] It’s half my life ago--
HILARY. It’s yesterday, it’s yesterday!
MARGARET. [_With the fleeting courage of a half caught bird_] Yes, it
_is_ yesterday. It’s how you took me--yesterday--and now you’re doing it
again!
HILARY. [_Catching at the hope of it_] Am I? Am I? Is it yesterday?
yesterday come back again?
MARGARET. [_In the toils_] No--no! Hilary, I can’t!
HILARY. [_At white heat_] No, you can’t. You can’t leave me.
You can’t do it to me. You can’t drive me out--the
wilderness--alone--alone--alone. You can’t do it, Meg--you can’t do
it--you can’t!
MARGARET. [_Beaten_] I suppose--I can’t.
HILARY. You--you’ll stay with me? [_Breaking down utterly_] Oh, God
bless you, Meg, God bless you, God bless you--
_She resigns her hands to him while she sits, flattened against the
back of her chair, quivering a little, like a crucified moth._
MARGARET. [_Puzzling it out_] You mean--God help me?
CURTAIN.
ACT III.
_The scene is the same as in_ ACT 1. MISS FAIRFIELD _sits reading_.
SYDNEY _is fidgeting about the room_. BASSETT _comes in and begins
to lay the cloth_. KIT, _who enters unseen behind her, sees_ MISS
FAIRFIELD _and makes hastily up the stair on tip-toe_.
SYDNEY. [_Turning_] Oh, Bassett, isn’t it rather early for tea? Lunch
was so late.
BASSETT. [_Desisting_] Oh, very well, miss.
MISS FAIRFIELD. Now, Sydney! Always trying to upset things! I’m more
than ready for my tea. Bring it in at once, Bassett.
BASSETT. Very well, ma’am!
SYDNEY. Auntie, I know Mother won’t want to be disturbed.
MISS FAIRFIELD. It’s high time she was. Talk! Talk! No consideration.
She’ll tire Hilary out. [_She goes towards the drawing-room._]
SYDNEY. [_Worried_] Auntie, I think--
MISS FAIRFIELD. Then you shouldn’t! [_She goes out._]
BASSETT. Shall I bring in tea, Miss Sydney?
SYDNEY. [_With a twinkle_] I think we’ll wait half an hour.
BASSETT. [_With an answering twinkle_] Very well, miss.
SYDNEY. Oh--Bassett--tell Mr. Kit that--er--that the coast’s clear.
BASSETT. He didn’t stay out with us, miss. Him and the puppy together
was a bit too much for cook, with the turkey on her hands. [_Looking
round_] He’s here somewhere, miss. [_She goes out._]
SYDNEY. [_Addressing space_] Kit, you idiot, come out!
KIT. [_Appearing at the head of the stairs_] I spend half my life
dodging your aunt. [_As he runs downstairs he rakes a bunch of mistletoe
from the top of a picture._] She spoilt the whole effect this morning,
but now-- [_He advances on_ SYDNEY.]
SYDNEY. [_Enjoying herself_] What do you want now?
KIT. [_Chanting_] “The mistletoe hung in the old oak hall!”--
SYDNEY. [_Eluding him_] Shut up, Kit! [_They dodge and scuffle like two
puppies till the drawing-room door opens, letting in the sound of
voices._]
KIT. Sst! [_He dashes up the stairs and comes down again much more
soberly as_ SYDNEY _says over her shoulder_--]
Public-domain text, read in full here on John Shaqi.
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