A Body of Divinity, Vol. 4 (of 4): Wherein the doctrines of the Christian religion are explained and defended, being the substance of several lectures on the Assembly's Larger CatechismRidgley, Thomas
Religion
A Body of Divinity, Vol. 4 (of 4): Wherein the doctrines of the Christian religion are explained and defended, being the substance of several lectures on the Assembly's Larger Catechism
Having taken notice of _Austine’s_ dislike of that way of singing in
his time, he thus proceeds: “But in our time, it seems much less
useful to the commonwealth, now our singers make such a noise in our
churches, that nothing can be heard, beside the sound of the voice;
and they who come there (that is all that are in the city) are
satisfied with the concert of music, which their ears itch for, and
never mind the sense of the words. So that we are come to that pass,
that in the opinion of the common people, the whole affair of
religious worship is lodged in these singers; although, generally
speaking, there is no sort of men more loose or wicked: and yet a good
part of the people run to church, as to a theatre, to hear them bawl:
they hire and encourage them; and look upon them alone as ornaments to
the house of God. Wherefore, without doubt, it would be for the
interest of religion, either to cast these jackdaws out of the
churches; or else to teach them when they sing, they should do it
rather in the manner of reading, than bawling; as _Austine_ says
_Athanasius_ ordered, _&c._” De Invent. Rer. _lib._ vi. _c._ 2. _p._
379.
Next hear the judgment of _Erasmus_: “Let a man be more covetous than
_Crassus_, more foul-mouthed than _Zoilus_, he shall be reckoned a
pious man, if he sings those prayers well, though he understands
nothing of them. But what, I beseech you, must they think of Christ,
who can believe he is delighted with such a noise of men’s voices? Not
content with this, we have brought into our churches a certain operose
and theatrical music; such a confused disorderly chattering of some
words, as I hardly think was ever heard in any of the _Grecian_ or
_Roman_ theatres. The church rings with the noise of trumpets, pipes
and dulcimers; and human voices strive to bear their part with
them.—Men run to church as to a theatre, to have their ears tickled.
And for this end organ-makers are hired with great salaries, and a
company of boys, who waste all their time in learning these whining
tones. Pray now compute how many poor people in great extremity might
be maintained by the salaries of those singers.” In 1 Cor. xiv. 19.
Lastly, _Lindanus_ says: “Who will compare the Music of this present
age, with that which was formerly used? Whatever is sung now,
signifies little for informing the people; which ’tis certain the
ancients always designed.” Panopl. _lib._ iv. _c._ 73.
PIERCE’S VINDICATION.
Footnote 22:
The first hymns of Gospel churches, were neither rythm, nor metre; and
there was no version of David’s psalms, that could be sung before
Calvin’s time.
Footnote 23:
Ὑμνήσαντε.
Footnote 24:
There is a difference between praising God, and instructing men.
Footnote 25:
The first christians composed and set to music their hymns.
Footnote 26:
Public-domain text, read in full here on John Shaqi.
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