Dreiser, Theodore, 1871-1945; Journalists -- United States -- Biography; Novelists, American -- 20th century -- Biography
“Why don’t you try?” suggested McCord. “You ought to be able to do
something in that line. I bet you could write a good one.”
We fell to discussing dramatists. Peter, with his eye for gorgeous
effects, costuming and the like, immediately began to describe the
ballet effects and scenery of a comic opera laid in Algeria which was
then playing in St. Louis.
“You ought to go and see that, Dreiser,” he urged. “It’s something
wonderful. The effect of the balconies in the first act, with the
muezzins crying the prayers from the towers in the distance, is great.
Then the harmony of the color work in the stones of the buildings is
something exquisite. You want to see it.”
I felt myself glowing. This intimate conversation with men of such
marked artistic ability, in a room, too, which was the reflection of an
artist’s personality, raised my sense of latent ability to the highest
point. Not that I felt I was not fit to associate with these people—I
felt that I was more than fit, their equal at every point, conceal it as
I might—but it was something to come in touch with your own, to find
real friends to the manner born who were your equals and able to
sympathize with you and appreciate your every mood. A man who had found
such friends as these so quickly surely need never worry.
“I’ll tell you what I propose to do, Peter, while you people are
talking,” observed Dick. “I propose to go over to Frank’s and get a can
of beer. Then I’ll read you that story.”
This proposal to read a story was new to me; I had not heard Wood had
written one before. I looked at him more keenly, and a little flame of
envy leaped to life in me. To be able to write a short story—or any kind
of a story!
He went to his wardrobe, whence he extracted a medium-length black cape
of broadcloth, which he threw about his shoulders, and a soft hat which
he drew rakishly over his eyes, then took the tin pail and a piece of
money from a plate, after the best fashion of the artistic romances of
the day, and went out. I gazed admiringly after him, touched by the
romance of it all. That face, waxen, drawn, sensitive, with deep burning
eyes, and that frail body! That cape! That hat! That plate of coins!
Yes, this was Bohemia! I was now a part of that happy middle world which
was superior to wealth and poverty. I was in that serene realm where
moved freely talent, artistic ability, noble thought, ingenious action,
unhampered by conventional thought and conduct. A great man should so
live, an artist certainly. These two could and did do as they pleased.
They were not as others, but wise, sensitive, delicately responsive to
all that was best in life; and as yet the great world was not aware of
their existence!
Wood came back with the beer and then Peter insisted that he read us the
story. I noticed that there was something impish in his manner. He
assured me that all of Dick’s stories were masterpieces, every one; that
time alone was required for world-wide recognition.
Public-domain text, read in full here on John Shaqi.
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