Dreiser, Theodore, 1871-1945; Journalists -- United States -- Biography; Novelists, American -- 20th century -- Biography
CHAPTER XXXIII
THUS it was that I dawdled about the city wondering what would become of
me. My dramatic work, interesting as it was, was still so trivial in so
far as the space given it and the public’s interest in it were concerned
as to make it all but worthless. The great McCullagh was not interested
in the stage; the proof of it was that he entrusted this interesting
department to me. But circumstances were bringing about an onward if not
upward step. I was daily becoming so restless and unhappy that it would
have been strange if something had not happened. To think that there was
no more to this dramatic work for me than now appeared, and that in
addition Mr. McCullagh was allowing Mr. Mitchell to give me afternoon
and night or out-of-town assignments when I had important theatrical
performances to report! As a matter of fact they were not important, but
Mitchell had no consideration for my critical work. He continued to give
me two or three things to do on nights when, as he knew or I thought he
should, I should spend the evening witnessing a single performance. This
was to pay me out, so I thought, for going over his head. I grew more
and more resentful, and finally a catastrophe occurred.
It happened that one Sunday night late in April three shows were
scheduled to arrive in the city, each performance being worthy of
special attention. Nearly all new shows opened in St. Louis on Sunday
night and it was impossible for me to attend them all in one evening. I
might have given both Dick and Peter tickets and asked them to help me,
but I decided, since this was a custom practiced by my predecessor at
times, to write up the notices beforehand, the facts being culled from
various press-agent accounts already in my hands, and then comment more
fully on the plays in some notes which I published mid-week. It
happened, however, that on this particular evening Mr. Mitchell had
other plans for me. Without consulting me or my theatrical duties he
handed me at about seven in the evening a slip of paper containing a
notice of a street-car hold-up in the far western suburbs of the city. I
was about to protest that my critical work demanded my presence
elsewhere but concluded to hold my tongue. He would merely advise me to
write up the notices of the shows, as I had planned, or, worse yet, tell
me to let other people do them. I thought once of going to McCullagh and
protesting, but finally went my way determined to do the best I could
and protest later. I would hurry up on this assignment and then come
back and visit the theaters.
Public-domain text, read in full here on John Shaqi.
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