Less excellent, crude puppet shows have gone wandering from village
to village through Germany and Austria in recent years, but they
have become more and more rare. These shows perform generally in the
little town halls, with the villagers, high and low, crowding in to
see performances of _Faust_ (ever welcome) or Hamlet (with a happy
ending), or, favorite of all, the life and death of the famous brigand
_Schinder Hannes_. The love of the Germans for puppet entertainment is
also constantly expressed in the little private puppet shows and shadow
plays given by or for the children in their homes, usually gotten up
for Christmas or birthday festivities.
* * * * *
In most Continental countries there may still be found traces and
survivals of the old style puppet show and occasionally experiments
with marionettes in the new manner. It is said that in Bohemia the
marionette plays are the only form of drama now given in the native
tongue. A very famous showman of Bohemia was Kopecki who travelled
about with his show from town to town. A prominent Bohemian minister
now residing in New York relates that he remembers these puppets and
the terror which clutched his boyish heart whenever the little wooden
devil appeared, opening and closing his horrible mouth and emitting the
most inhuman and frightful noises. He remembers the comic characters
of the shows, a rude peasant and his wife. The peasant always wielded
a stick and there were many threatened beatings, but they never took
place. In 1885 the names of Kopecki and of another showman, Winizki,
were made doubly prominent by the publication of a book of their
old puppet plays taken down in shorthand by two Viennese authors
from performances they witnessed and written finally in wonderful
Hoch-Deutsch.
[Illustration: BOHEMIAN PUPPETS
_Upper_: Devil, Priest, Peasant
_Lower_: Soldier, King and Queen
[Property of the Reverend Vincent Pisek, New York]]
In Hungary the gypsies have always been the puppeteers, travelling
about with their rough little figures and accompaniment of music. From
Moldavia comes a report of gypsy players at Christmas time in the
olden days, one man crying out through the streets, “To the puppets,
to the puppets!” followed by two other gypsies with a little theatre
of marionettes. In these shows at the time of the Turkish wars in 1829
miniature Turks and Cossacks were made to belabor each other.
Public-domain text, read in full here on John Shaqi.
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