A book of martyrsComer, Cornelia A. P. (Cornelia Atwood Pratt)
General
A book of martyrs
Comer, Cornelia A. P. (Cornelia Atwood Pratt)
American fiction -- 19th century; Short stories, American
“I am a--an artist,” said Carroll Forbes. “Is there any place
hereabouts where I can get my meals and sometimes a bed, while I am
sketching in the mountains?”
The man stared at him.
“Would it have been better if I had said I was a surveyor?” asked
Forbes of his confused inner consciousness.
“We feed folks here sometimes--that is, my wife does. Mebbe you could
have a shake-down in the loft. Or there’s Connor’s ranch off north a
ways. But they don’t care about taking in folks up there.”
“Then, if you would ask your wife?” ventured Forbes, politely. “I shall
not trouble you long,” he added.
“Ellen!”
A woman appeared at the door, then moving slowly forward, stood at her
husband’s side, and the admiration Forbes had felt at the sight of the
man flamed into sudden enthusiasm as he watched the wife. She was tall,
with heavy, black hair, great eyes like unpolished jet, one of the
thick white, smooth, perfectly colorless skins, which neither the sun
nor the wind affect, and clear-cut, perfect features. Standing so, side
by side, the two were singularly well worth looking at.
“What a regal pair!” was Forbes’s internal comment; and while they
conferred together he watched them idly, wondering what their history
was, for of course they had one. It is safe to affirm that every human
creature cast in the mould of the beautiful has, or is to have, one.
“She says you c’n stay,” announced the man. “Just put those traps of
yours inside, will you?” and, turning, he limped off the length of the
platform at a call from somebody who had ridden up with jingling spurs.
Forbes, left to his own devices, picked up his valise, then set it down
again and looked around him helplessly, wondering if there was a night
train by which he could get away from this heaven-forsaken spot.
“If you want to see where you can sleep,” said a voice at his side, “I
will show you.” It was the woman. She bent as she spoke to pick up some
of his impedimenta, but he hastily forestalled her with a murmur of
deprecation.
She turned and looked at him, and as he met her eyes it occurred to
him that the indifference of her face was the indifference of the
desert--arid and hopeless. The look she gave him was searching and
impersonal; he saw no reason for it, nor for the slow, dark color that
spread over her face, and there was less than no excuse for the way
she set her lips and stretched a peremptory hand, saying, “Give me
those,” in tones that could not be disobeyed. To his own astonishment
he surrendered them, and followed her meekly up a ladder-like flight
of steps to the rough loft over the station. It was unfinished, but
partitioned into two rooms. She opened the door of one of these
apartments, silently set his luggage inside, and vanished down the
stairs.
Forbes sat down on the edge of a broken chair and looked about him.
“Now, in heaven’s name,” he demanded of the barren walls, “what have I
let myself in for, and why did I do it?”
Public-domain text, read in full here on John Shaqi.
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