A book of martyrsComer, Cornelia A. P. (Cornelia Atwood Pratt)
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A book of martyrs
Comer, Cornelia A. P. (Cornelia Atwood Pratt)
American fiction -- 19th century; Short stories, American
To this question there seemed no sufficient answer, and for awhile he
sat there fretting with the futile anxiety of a man who knows that
his fate pursues him, who hopes that this turning or that may help
him to evade it, yet always feels the benumbing certainty that the
path he has taken is the shortest road to that he would avoid. When at
last--recognizing that his meditations were unprofitable--he rose and
went down the stairs, it was supper-time.
The woman was uncommunicative, but he could feel that her eyes were
on him. The man--it occurred to Forbes that he had probably been
drinking--was talkative. After the meal was over they went outside.
Forbes, by way of supporting his pretence of being an artist, took
out a pocket sketch-book and made notes of the values of the clouds
and the outlines of the hills against the sky in a sort of artistic
short-hand. The man Wilson sat down on a bench and began to talk.
Between the exciting effects of the whiskey he had taken, the soothing
influence of the cigar Forbes proffered him, and a natural talent for
communicativeness, he presently went on to tell his own story. Forbes
listened attentively. It seemed a part of the melodrama of the whole
situation and was as unreal to him as the flaming miracle of the
western skies or his own presence here.
“So the upshot of it all was that we just skipped out. She ran away
with me.”
It was a curious story. As Forbes listened he became aware that it was
one with which he had occasionally met in the newspapers, but never in
real life before. It was, apparently, the story of a girl belonging to
a family of wealth and possibly of high social traditions--naturally
he did not know what importance to attach to Wilson’s boast that his
wife belonged “to the top of the heap”--who had eloped with the man who
drove her father’s carriage.
The reasons for this revolt against the natural order of her life was
obscure; there was, perhaps, too high a temper on her side and too
strict a restraint on the part of her guardians. There was necessarily
a total absence of knowledge of life; there was also the fact that
the coachman was undoubtedly a fine creature to look at; there might
have been a momentary yielding on the part of a naturally dramatic
temperament to the impulse for the spectacular in her life.
Public-domain text, read in full here on John Shaqi.
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