A Book of Operas: Their Histories, Their Plots, and Their MusicKrehbiel, Henry Edward
History
A Book of Operas: Their Histories, Their Plots, and Their Music
Krehbiel, Henry Edward
Operas -- Stories, plots, etc.
There is nothing in "Parsifal," neither personage nor incident nor
thing, no principle of conduct, which did not live in legendary
tales and philosophical systems long before Christianity existed as
a universal religion. The hero in his first estate was born, bred,
went out in search of adventure, rescued the suffering, and righted
wrong, just as Krishna, Perseus, Theseus, OEdipus, Romulus,
Remus, Siegfried, and Wolf-Dietrich did before him. He is an Aryan
legendary and mythical hero-type that has existed for ages. The
talismanic cup and spear are equally ancient; they have figured
in legend from time immemorial. The incidents of their quest,
the agonies wrought by their sight, their mission as inviters of
sympathetic interest, and the failure of a hero to achieve a work of
succor because of failure to show pity, are all elements in Keltic
Quester and Quest stories, which antedate Christianity. Kundry, the
loathly damsel and siren, has her prototypes in classic fable and
romantic tale. Read the old English ballad of "The Marriage of Sir
Gawain." So has the magic castle of Klingsor, surrounded by its
beautiful garden. It is all the things which I enumerated in the
chapter devoted to "Tannhäuser." It is also the Underworld, where
prevails the law of taboo--"Thou must," or "Thou shalt not;" whither
Psyche went on her errand for Venus and came back scot-free; where
Peritheus and Theseus remained grown to a rocky seat till Hercules
came to release them with mighty wrench and a loss of their bodily
integrity. The sacred lance which shines red with blood after it
has by its touch healed the wound of Amfortas is the bleeding spear
which was a symbol of righteous vengeance unperformed in the old
Bardic day of Britain; it became the lance of Longinus which pierced
the side of Christ when Christian symbolism was applied to the
ancient Arthurian legends; and you may read in Malory's "Morte
d'Arthur" how a dolorous stroke dealt with it by Balin opened a
wound in the side of King Pellam from which he suffered many years,
till Galahad healed him in the quest of the Sangreal by touching
the wound with the blood which flowed from the spear.
Public-domain text, read in full here on John Shaqi.
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