Delivered from his long captivity, Réné hastened to Provence, where the
estates found him 100,000 gold florins for the prosecution of the war.
In April, 1438, Réné sailed from Marseilles for Naples. Unfortunately
for him, at this time his trusted constable, Jacopo Caldora, died, and
the king gave his place to the son of Caldora, a man of very different
stamp, who sold himself to the King of Aragon and threw every possible
hindrance in the way of Réné, who was besieged in Naples, and sorely
hampered by lack of money wherewith to content his soldiery. One day,
as he was passing through the streets, a widow cried to him to give her
bread for her starving children. Réné passed without a word. “If he
will not feed them, I know who will,” said the woman, and she hastened
to betray to a partisan of Alphonso the secret of a subterranean
passage into the town; in fact, the old aqueduct through which, nine
centuries before, Belisarius had penetrated into Naples. The Spaniards
poured into the town, and Réné had but just time to escape to a vessel
in the bay. He retired to Provence, and there his wife, Isabella, died
in 1453. He had her body moved to Angers, and erected over her a noble
tomb, near one he had set up some years before to his old nurse. Réné
fought against the English beside the French King, and was in the
battle of Crecy. In 1448 his daughter Margaret had been married to
Henry VI.
Shakespeare and the chroniclers have combined to blacken the character
of this unfortunate woman. She is represented in repulsive colours,
as unfeminine, revengeful, loose in her morals; and even her energy
and fortitude are distorted into unnatural ferocity and obduracy.
But we cannot trust the picture painted of her. The English people
resented the marriage with an impecunious woman, and the cession of
the duchy of Maine to the French as the price for her hand. They were
galled and writhing at the humiliation of the English arms, in a
series of victories won by the aid of the Maid of Orleans. She was,
moreover, placed in the unnatural position of having to supply, by her
force of character, the feebleness of her husband’s rule. The soft,
feminine nature of Henry’s disposition threw hers by contrast into
undue prominence. She had penetration to discover, what was hidden
from Henry’s eyes, that the throne was surrounded by false friends and
secret enemies. Considering the incapacity of the King, it is unjust to
judge her harshly, if she strove with all her powers to save the crown
imperilled by his feebleness. The situation in which she was placed
compelled her to do that which is the worst thing a woman can do, to
unsex herself, and that, not like the Maid of Orleans, in consequence
of a Divine impulse, but from motives of policy. Inevitably much has
been attributed to her for which she was not rightfully responsible.
It could hardly be otherwise than that much in her way of life was
inconsistent with her female character; a woman cannot play a man’s
Public-domain text, read in full here on John Shaqi.
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