Walking in the garden in the cool of the July evening, I was struck afresh by the beauty of that climbing rose we call Dorothy Perkins, and by her absolute inability to make a mistake. There are in this garden several of these ramblers, all heritages from an earlier tenant and all very skilfully placed: one over an arch, one around a window, and three or four clambering up fir posts on which the stumps of boughs remain; and in every case the rose is flowering more freely than ever before, and has arranged its blossoms, leaves, and branches with an exquisite and impeccable taste. Always lovely, Dorothy Perkins is never so lovely as in the evening, just after the sun has gone, when the green takes on a new sobriety against which her gay and tender pink is gayer and more tender. "Pretty little Dolly Perkins!" I said to myself involuntarily, and instantly, by the law of association--which, I sometimes fondly suppose, is more powerful with me than with many people--I began to think of another evening, twenty and more years ago, when for the first time I heard the most dainty of English comic songs sung as it should be, with the first words of the chorus accentuated like hammer blows in unison: For--she--was--as-- and then tripping merrily into the rest of it: --beautiful as a butterfly, As fair as a queen, Was pretty little Polly Perkins Of Paddington Green. It is given to most of us--not always without a certain wistful regret--to recall the circumstances under which we first heard our favourite songs; and on the evening when I met "Pretty Polly Perkins" I was on a tramp steamer in the Mediterranean, when at last the heat had gone and work was over and we were free to be melodious. My own position on this boat was nominally purser, at a shilling a month, but in reality passenger, or super-cargo, spending most of the day either in reading or sleeping. The second engineer, a huge Sussex man, whose favourite theme of conversation with me was the cricket of his county, was, it seemed, famous for this song; and that evening, as we sat on a skylight, he was suddenly withdrawn from a eulogy of the odd ways and deadly left-handers of poor one-eyed "Jumper" Juniper (whom I had known personally, when I was a small school-boy, in a reverential way) to give the company "Pretty Polly Perkins." In vain to say that he was busy, talking to me; that he was dry; that he had no voice. "Pretty Polly Perkins" had to be sung, and he struck up without more ado: I'm a broken-hearted milkman, In woe I'm arrayed, Through keeping the company of A young servant maid-- and so forth. And then came the chorus, which has this advantage over all other choruses ever written, that the most tuneless singer on earth (such as myself) and the most shamefaced (I am autobiographical again) can help to swell, at any rate, the notable opening of it, and thus ensure the success of the rest.