A Boswell of Baghdad; With DiversionsLucas, E. V. (Edward Verrall)
History
A Boswell of Baghdad; With Diversions
Lucas, E. V. (Edward Verrall)
Ibn Khallikan, 1211-1282. Wafayat al-a'yan
That evening, as I say, was more than twenty years ago, and I had
thought in the interval little enough of the song until the other pretty
Perkins suggested it; but I need hardly say that the next day came a
further reminder of it (since that is one of the queer rules of life) in
the shape of a Chicago weekly paper with the information that America
knows "Pretty Polly Perkins" too.
The ballads of a nation for the most part respect their nationality, but
now and then there is free trade in them. It has been so with "Pretty
Polly Perkins"; for it seems that, recognizing its excellence, an
American singer prepared, in 1864, a version to suit his own country,
choosing, as it happens, not New York or Washington as the background of
the milkman's love drama, but the home of Transatlantic culture itself,
Boston. Paddington Green would, of course, mean nothing to American
ears, but Boston is happy in the possession of a Pemberton Square, which
may, for all I know, be as important to the Hub of the Universe as
Merrion Square is to Dublin, and Polly was, therefore, made comfortable
there, and, as Pretty Polly Perkins of Pemberton Square, became as
famous as, in our effete hemisphere, Pretty Polly Perkins of Paddington
Green. The adaptor deserves great credit for altering as little as
possible. Beyond Polly's abode, and the necessary rhymes to mate with
Square, he did nothing, so that the song, while transplanted to America,
remained racy of the English capital. It was still the broken-hearted
milkman who sang it, and the _denouement_, which is so very
English--and, more than English, Cockney--was unaltered:
In six months she married,
That hard-hearted girl;
It was not a squire,
And it was not a nearl.
It was not a baronet,
But a shade or two wuss--
'Twas the wulgar old driver
Of a twopenny 'bus.
But the story of Polly is nothing. The merit of the song is its air, the
novelty and ingenuity of its chorus, and the praises of Polly which the
chorus embodies. The celebration of charming women is never out of date.
Some are sung about in the Mediterranean, some in Boston, and some all
the world over; others give their names to roses.
Public-domain text, read in full here on John Shaqi.
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