"I will do so with pleasure if you wish it?" she answered, and
accordingly crossed the room to the corner where the piano stood.
Prepared as I was to find her a good _pianiste_, I did not dream for a
moment that her talent was so great. As it was, she fascinated me from
the moment that her fingers touched the keys. In explanation I might
here remark that I am particularly susceptible to music, and now, under
her influence, I sat spell-bound. The work was Saint Saen's "Danse
Macabre," and in her hands the fierce madness of that remarkable
composition was brought out with more than its usual _diablerie_.
In order to understand what is to follow, it must be remembered that I
was seated near the fire-place, and that her piano was at the further
end of the room, so that, placed as I was, I could not see my hostess.
Having once felt the divine _afflatus_, she played on and on, without
stopping to enquire whether I was tired, wandering from master to master
as the fancy seized her. Such was the effect of the music upon me, that
in a short time I became scarcely conscious of mundane affairs. A
delicious languor was stealing over me, and little by little I felt my
eyes closing. The music appeared to be growing gradually fainter, until
it could scarcely be heard. I tried to rouse myself, but was unable to
do so. At last, even the inclination to battle with the feeling of
drowsiness left me, and I abandoned myself to my fate.
Whether I fell asleep and dreamt what I am about to describe, or whether
the Countess, in the exercise of a deadly power which I feel convinced
she possessed, had hypnotized me, I cannot say. The fact remains, that
in my mind's eye, for my eyes were closed, I saw her rise from the
instrument and approach me. Then, she came closer, stopped, and stooped
over me until her eyes were close to mine. There was a light in them
that pierced my eyelids and penetrated to the centre of my brain.
"It is useless for you to strive with me," she said; "you are mine, and
must do my bidding."
Then she began to question me on certain matters connected with the war
and with European politics. I appeared to be telling her secrets, so
vital in their importance, that to have breathed them aloud to the world
would have been to run the risk of causing the most serious
international complications. Yet, still powerless to resist, I answered
the questions as they were put to me, keeping nothing back. When she had
learnt all that she wanted to know, she moved away from me, and returned
to the piano. Then once more she began to play, the music growing louder
and more distinct as it progressed. Then I woke, to find her still
playing the same piece as when I had closed my eyes. When she had
finished it, she rose from her seat.
"I think of all the great masters, I prefer Chopin," she said, as she
crossed the room. "Yes, I am certain that he stands first in my
admiration."
Public-domain text, read in full here on John Shaqi.
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