Her manner was so open, so sincere, that the suspicion I had been
tempted to entertain against her vanished in a trice. It was all
imagination, I told myself. Under the influence of her music I must have
fallen asleep and dreamt it all. Had I not good proof of this? Had it
really happened, it would have taken nearly a quarter of an hour for me
to impart the information she had asked of me. Yet the long hand of the
clock upon the mantel-piece had only advanced three minutes since I had
last looked at it. How comforting this assurance was to me I must leave
you to understand. It was the most singularly vivid dream, however, I
had had in my life, and, but for the evidence of the clock, and the
sincerity of the Countess's manner, I could have sworn that the incident
I have just described had really occurred. Yet there was another side to
the question. I had fallen asleep while paying an afternoon call, and
the idea disquieted me more than I cared to admit. Then a servant
entered with tea, and under the influence of the Countess's Pekoe and
fashionable chit-chat my powers of conversation returned to me. At last
I rose to take leave.
"I fear I have paid you an unconscionably long visit," I said. "Your
beautiful music, however, must be blamed for my over-stepping the bounds
of politeness. I hope you will forgive me?"
"It has been a pleasure to me to play to you," she answered. "One does
not always have such a sympathetic audience."
With that I left her, and on reaching the street turned in the direction
of the Park.
Public-domain text, read in full here on John Shaqi.
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