A good deal has been said about the need of recasting our ideas of
Egyptian history in the light of the new information which has been
gained from the tomb of Tutankhamen, and some writers have hinted that
our whole conception of the close of the XVIIIth Dynasty is wrong, and
must be recast to square with the new facts. We are asked to discard
the idea of an Egypt beginning to decline from the lofty position which
she had held under Thothmes III and Amenhotep III, and to substitute
for this the picture of an Egypt waking with renewed strength from
the uneasy religious dreams of the reign of Akhenaten, and asserting
once more, and with greater vigour than ever, her dominion in the
realms of both politics and art.
All this is merely a vain imagination. Historically, no new facts have
emerged from the tomb of Tutankhamen. It is scarcely true to say, with
Budge, that “we know no more now about the reign of this king than we
did before Lord Carnarvon made his phenomenal discovery.” That would
only be the case on the narrow reading of the meaning of history
which would confine it to the mere recording of dates, conquests, and
legislation. The art of any period constitutes no small part of its
history, and for the history of far-past times it is one of our most
valuable sources of information; and we may surely look for a large
extension of our knowledge of the art of ancient Egypt in the reign of
Tutankhamen from the treasures of his tomb.
But so far as concerns the facts of what the king, and Egypt under his
leadership, accomplished in the matter of raising again the declining
prestige and power of the Empire, we know no more than we did before
the tomb was opened; nor is it likely that when the work is completed
we shall have gained much more information, if any, on this point.
For the likelihood is that if there are any papyri beneath the great
golden canopy, they will be of a purely religious type, versions of
one or other of the different forms of spiritual guide-book which the
devout Egyptian carried with him on his long journey through the dark
Underworld.
Public-domain text, read in full here on John Shaqi.
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