When his work is criticised, as it has often, and not unjustly, been,
as hasty and wanting in thoroughness, let it be remembered that, with
all its faults, it was done under conditions which would have driven
most men mad, and that thoroughness and minute care are not precisely
the qualities which are encouraged by the knowledge that the exchequer
is empty, and that there is no prospect of being able to pay the
workmen unless one can catch a wayward prince in a favourable mood.
All things considered, the wonder is, not that so much was overlooked
and left undone, but that so much was actually accomplished under such
maddening conditions.
His main object was to form such a Museum in Egypt that it would no
longer be possible for the representatives of the European powers to
excuse their spoliation by the suggestion that Egypt was unable to
safeguard her own treasures of antiquity. With this end in view he was
indefatigable in the work of excavation, doing his utmost to gather
from Memphis, Thebes, Abydos, Tanis, and other famous sites, such a
collection of historical monuments as should render the creation of a
permanent home for them a crying necessity.
Erelong he had so far succeeded that his collection included fine
statues of Ramses II, the well-known Amenartas, the so-called Hyksos
Sphinxes, the Triumphal Stele of Thothmes III, and a great mass of
amulets from the cemeteries of Memphis, Abydos, and Thebes. To house
these treasures he was provided with a set of miserable buildings
which were of no use for any other purpose--a deserted mosque which
was falling into ruin, some filthy sheds, and a dwelling-house alive
with vermin, in which he lived himself. Making the most of this heap
of ruins, he improvised pedestals for the statues and cases for the
amulets, and turned his early training as a drawing-master to account
in the painting of the decorations of his crazy walls.
The incident which finally determined Said to yield to the importunity
of his energetic Director of Antiquities was highly characteristic,
both of the daring and persistence of Mariette, and the waywardness of
the ruler with whom he had to deal. One of the chief hindrances to the
erection of the Museum was the fact that the excavations, though highly
productive of objects of historic interest, had as yet yielded nothing
in the way of gold or jewellery, and Said, a thorough Oriental, cared
but little for researches which only produced inscribed or sculptured
stones. Early in 1859, Mariette’s workmen at Drah-Abou’l-Neggah,
near Thebes, discovered the splendid gilded sarcophagus of the Queen
Aah-hotep. Mariette sent orders for it to be sent to Cairo at once; but
meanwhile the Mudir of Keneh had laid hands on it, opened it in his
harem, and, throwing aside the mummy, took possession of the fine set
of jewellery which the coffin contained, and hurried off by boat to
present it to the Khedive as an offering from himself.
Public-domain text, read in full here on John Shaqi.
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