Mariette immediately set out on his steamboat, the _Samanoud_, to
meet the robber. Boarding the Mudir’s boat, he tried to persuade him
to give up his ill-gotten goods, and when persuasion failed he passed
to threats, and from threats to blows. Finally he triumphed, and took
possession of the treasure. Knowing the danger which he ran of having
his action represented to the Khedive as sheer robbery of a treasure
addressed to the Royal Palace, Mariette took care to be the first to
tell the story to his royal master, and did so with such effect that
the Khedive thoroughly enjoyed the joke, and laughed heartily at the
spoiling of the spoiler. He kept a gold chain for one of his wives, and
himself wore for awhile a fine scarab which he afterwards returned;
but the rest of the treasure was reserved, as Mariette wished, for his
darling Museum, and the Khedive, now convinced that the collection was
worth housing, gave orders for the erection of a suitable building at
Boulak.
Thus, by a happy combination of good fortune and daring, the great
explorer succeeded in the attainment of at least a part of his heart’s
desire. The buildings at Boulak, however, were far from satisfactory,
and his heart was always set on a dream-museum, which he did not
live to realise, which indeed has not yet been realised, though the
great Egyptian Museum has known two changes of abode since his time,
and is now preparing for a fresh extension to house the treasures of
Tutankhamen’s tomb. In addition, he had to be continually on his guard
to see that the priceless things which he had gathered with such pains,
and housed at such risk, were not dissipated to gratify his patron’s
passing whims of generosity towards some favourite guests, or sold
_en masse_ to act as security for a loan. Mariette had no intention
of allowing his treasures to be treated as pawnbroker’s pledges;
but it took all his energy and authority to prevent this happening,
for whenever Said was short of money, which happened with unfailing
regularity, his first thought was to raise a loan on the Museum, and it
was only the Director’s personal acceptability with his master which
enabled him to stave off disaster once and again.
Public-domain text, read in full here on John Shaqi.
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