The narrowest escape came just on the heels of what had seemed the
greatest triumph of his life. At the Paris Exhibition of 1867, he had
secured the first adequate representation of Egyptian antiquities.
A small Egyptian temple was built, preceded by a short avenue of
sphinxes; and within the temple were housed the finest specimens of art
and craftsmanship which Egypt could produce. For six months all the
world admired and wondered; then came the blow. Mariette had wrought
too well, and made his treasures look too inviting. The Empress
Eugenie had cast covetous eyes upon them, and the Khedive Ismail was
informed that she desired to have the whole collection offered to her
as a gift. Ismail, taken by surprise, and, as usual, short of cash, did
not dare to refuse; but he had the sense to make his consent subject
to one condition. “There is,” he said to the emissary of the Empress,
“someone at Boulak more powerful than I, and you must address yourself
to him.” It must have been the cruellest of blows to Mariette thus to
be wounded in the house of his friends; but his resolution was proof
against both imperial wiles and threats, and the collection returned in
safety to its native home. The explorer had saved the treasures of the
land of his adoption from the greed of his native land; but it was at
a heavy cost that the victory was gained. The favour of France, which
had always been one of his main supports, was immediately withdrawn,
and for the next two or three years Mariette found himself in disgrace
at the palace, and unable to obtain any support for his schemes.
Curiously enough, it was the downfall of France in 1870 which brought
him into favour once more with the Khedive, and for the last ten years
of his life he saw the work to which he had given himself steadily
growing, though on at least one occasion the proposal to raise a loan
on the Museum was revived, and though Ismail’s grandiose plans for the
extension of the buildings remained only dreams, which came through the
ivory gate.
In respect to the excavations which he kept so jealously in his
own hands, Mariette’s energy was amazing, though its results were
never so carefully chronicled as they might have been, and were
sometimes scarcely chronicled at all. The two greatest charges to be
brought against him as an excavator are, first, this lack of adequate
publication of his results, a huge mass of precious material being
gathered without anything to tell the student its actual provenance,
or its historical connection, and, second, the craving for big and
imposing results, which led him often to neglect the smaller but often
more important material which would have been of priceless value
to modern workers, but did not appeal to him, and consequently got
overlooked and lost.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account