Books and reading; Children's literature -- Bibliography
For the marvelous speeches and songs, however satisfying in themselves,
lose some of their meaning when taken out of the structure of which
they are a part. The stained glass window is beautiful in the artist’s
studio, but when it is set in the church and the light falls through
it, it becomes part of a beauty greater than its own. So, too,
“Macbeth” is greater than Shakespeare’s lyrics, “Paradise Lost” is
greater than all of Milton’s short poems taken together. The true
reader of poetry will pass beyond the delight of the perfect stanza to
the wider joy of the complete drama, the complete epic.
In approaching a long poem, the modern impatient reader is discouraged
sometimes by the number of pages of solid verse which follow those
first pages into which he has plunged. It is well to remember that in
reading poetry, a little traveling of the eye takes the imagination
on long journeys, and that imagination will join for us the first
page and the last even if we have spent six months in making the
intervening journey. “Hamlet” need not be read in a day. If one reads
a few lines at a time one will soon be in the depths of it, and there
is no danger of losing one’s way. We can spend a month in the first
perusal or we can run rapidly through it in the three hours which it
is supposed to occupy on the stage. We can go backward and forward
in it, pause as long as we will on a single speech, or fly swiftly
upon the wings of the action. The sense of leisure, of independence of
hourly circumstance, is one of the spiritual uses of poetry. The poet
and our own nature will determine the time for us. When we follow the
pageant of Shakespeare’s sad histories of the death of kings, we shall
not, I hope, comport ourselves like tourists hurrying through a picture
gallery in order that we may have “done” it before our train goes. We
shall not be so misguided as to plume ourselves when we enter in our
diary: “Read two plays of Shakespeare this week.” Reading that consists
merely in passing the eye over the page is not reading at all. When we
become conscious of turning pages without any inward response, it is
time to lay the book down and do something else. When we are really
reading, we shall not be conscious of the book and we shall not know
how many pages we have read--until we wake up out of dreamland and come
back into our own world.
Public-domain text, read in full here on John Shaqi.
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