A Childhood in Brittany Eighty Years AgoSedgwick, Anne Douglas
History
A Childhood in Brittany Eighty Years Ago
Sedgwick, Anne Douglas
Brittany (France) -- Social life and customs
We played at being horses, too, driving each other in the garden,
where we spent most of our days when at Quimper. Strange to say, even
while we were thus occupied, we always wore veils tightly tied over
our bonnets and faces to preserve our skins from the sun. We all wore,
even in earliest childhood, stiff little dresses with closely fitting
boned bodices. My sister Eliane was delicate and wore flannel next her
skin; but my only underclothing consisted of cambric chemise,
petticoats, and drawers, these last reaching to my ankles and
terminating in frills that fell over the foot in its little sandaled
shoe. When I came back from a wonderful stay, later on, of four or
five years in England, a visit that revolutionized my ideas of life, I
wore the easy dress of English children, and had bare arms, much to my
mother's dismay. Another change that England wrought in me was that I
was filled with discomfort when I saw the peasants kneeling before us
at Loch-ar-Brugg, our country home; for in those days, although the
Revolution had passed over France, it was still the custom for
peasants to kneel before their masters, and my mother felt it right
and proper that they should do so. I begged her not to allow it, but
she insisted upon the ceremony to her dying day, and only when I came
as mistress to Loch-ar-Brugg with my children and grandchildren was it
discontinued.
Another early memory is the long row of family portraits in the
_salle-à-manger_. I think I must have looked up at these from my
father's shoulder as he walked up and down with me, singing to me
while my mother went on with her interrupted dessert, for the awe that
some of them inspired in me seems to stretch back to babyhood. Some
were so dark and severe that it was natural they should frighten a
baby; but it was a pastel, in flat, pale tones, of an old lady with
high powdered hair, whose steady, forbidding gaze followed me up and
down the room, that frightened me most. This was an elder sister of my
grandmother's, a March'-Inder, who, dressed as a man, had fought with
her husband and daughter in the war of the Chouans against the
republic. Her husband was killed, and her daughter, taken prisoner by
a French officer, had hanged herself, so the family story ran, to
escape insult. Another portrait of a great-grandmother enchanted me
then, as it has done ever since, a charming young woman seated, with
her hands folded before her, her golden hair unpowdered, her dress of
citron-colored satin brocaded with bunches of pale, bright flowers.
And there was a portrait of my grandmother in youth, with black hair
and eyes as black as jet. I thought her very ugly, and could never
associate her with my dearly loved _bonne maman_.
I must delay no longer in introducing this most important member of
the family, my mother's mother, with whom we lived, for the old
Quimper _hôtel_ was her dower-house.
Public-domain text, read in full here on John Shaqi.
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