English essays -- 20th century; English fiction -- 20th century; Short stories, English
On the black beach, beneath a black sky with its few stars, the sea wind
blows a troubling savour from the west, as it did when man was not yet
on the earth. It sings the same troubling song as when the first man
heard it. And by this black beach man is collected in his hundreds,
trying with all his might to take his holiday. Here he has built a
theatre within the theatre of the night, and hung a canvas curtain to
draw up and down, and round about lit lights to show him as many as may
be of himself, and nothing of the encircling dark. Here he has brought
singers, and put a band, armed with pipes of noise, to drown the
troubling murmur of the wind. And behind his theatre he has made a fire
whose smoke has qualified the troubling savour of the sea.
Male and female, from all the houses where he sleeps, he has herded to
this music as close as he can herd. The lights fall on his faces,
attentive, white, and still--as wonderfully blank as bits of wood cut
out in round, with pencil marks for eyes. And every time the noises
cease, he claps his hands as though to say: “Begin again, you noises; do
not leave me lonely to the silence and the sighing of the night.”
Round the ring he circles, and each small group of him seems saying:
“Talk--laugh--this is my holiday!”
This is his holiday, his rest from the incessant round of toil that
fills his hours; to this he has looked forward all the year; to this he
will look back until it comes again. He walks and talks and laughs,
around this pavilion by the beach; he casts no glances at the pavilion
of the night, where Nature is playing her wind-music for the stars to
dance. Long ago he found he could not bear his mother Nature’s
inscrutable, ironic face, bending above him in the dark, and with a moan
he drew the clothes over his head. In Her who gave him being he has
perceived the only thing he cannot brave. And since there is courage and
pride in the feeblest of his hearts, he has made a compact with himself:
“Nature! There is no Nature! For what I cannot understand I cannot face,
and what I cannot face I will not think of, and what I will not think of
does not exist for me; thus, there is nothing that I cannot face.
And--deny it as I may--this is why I herd in my pavilion under my
lights, and make these noises against the sighing and the silence and
the blackness of the night.”
Back from the dark sea, across a grassy space, is his row of houses with
lighted windows; and behind it, stretching inland, a thousand more,
huddled, closer and closer, round the lighted railway shed, where, like
spider’s threads, the rails run in from the expanse of sleeping fields
and marshes and dim hills; of dark trees and moon-pale water fringed
with reeds. All over the land these rails have run, chaining his houses
into one great web so that he need never be alone.
Public-domain text, read in full here on John Shaqi.
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