English essays -- 20th century; English fiction -- 20th century; Short stories, English
of degree.’ I consider that a very dangerous saying. I have little doubt
that all so-called reforms at all times have been ushered in by the use
of that expression. You make the fundamental error of overtrusting human
nature. Believe me, if you lived here, and saw the machinery of things
as closely as I see it, and worked, as I do, in this powerful
atmosphere, and knew the worry and the difficulty of changing anything,
and the thanklessness of the public that one works for, you would soon
get a very different notion of the necessity of what you call reform.
You must bear in mind the fact that the State has carefully considered
what is best for all, and that I am only an official of the State. And
now I have three hours at least before I can get away, of important
details (which you, no doubt, despise), connected with the business of
the State, and which it is my duty and my pride to transact efficiently;
so that you will forgive me if I drop a subject, on which of course I am
still open to conviction. Progress, we must all admit, is necessary,
but, I assure you, in this case you are making a mistake.”
The little smile died off his lips, and preceding the intruder to the
door, he politely opened it. Then, in the marble corridor, he raised his
eyes above his visitor’s retiring back. There, with its great red hands
on the knees parted beneath a white and flowing robe, sat Power--his
deity; and a silent prayer, far too instinctive and inevitable to be
expressed in words, rose through the stagnant, dusty atmosphere:
“O great image that put me here, knowing as thou must the failings of
my fellow-beings, give me power to see that they do right; let me
provide for them the moral and the social diet they require. For, since
I have been here, I have daily, hourly, humbly felt more certain of what
it is they really want; more assured that, through thy help, I am the
person who can give it them. O great image, before thou didst put me
here I was not quite certain about anything, but now, thanks be to thee,
everything is daily clearer and more definite; and I am less and less
harassed by my spirit. Let this go on, great image, till my spirit is
utterly at rest, and I am cold and still and changeless as this marble
corridor.”
THE HOUSE OF SILENCE
XIII
THE HOUSE OF SILENCE
Within the circle of the high grey wall is silence.
Under a square of sky cut by high grey buildings nothing is to be seen
of Nature but the prisoners themselves, the men who guard the prisoners,
and a cat who eats the prison mice.
This house of perfect silence is in perfect order, as though God Himself
had been at work--no dirt, no hurry, no lingering, no laughter. It is
all like a well-oiled engine that goes--without a notion why. And each
human thing that moves within this circle goes, day after day, year
after year--as he has been set to go. The sun rises and the sun goes
down--so says tradition in the House of Silence.
Public-domain text, read in full here on John Shaqi.
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