English essays -- 20th century; English fiction -- 20th century; Short stories, English
In yellow clothing marked with arrows the inhabitants are working. Each
when he came in here was measured, weighed, and sounded; and, according
to the entries made against his number, he received his silent task, and
the proper quantity of food to keep his body able to fulfil it. He
resumes this silent task each day, and if his work be sedentary, paces
for an hour the speckless gravel yard from a number painted on the wall
to a number painted on a wall. Every morning, and on Sundays twice, he
marches in silence to the chapel, and, in the voice that he has nearly
lost, praises the silent God of prisoners; this is his debauch of
speech. Then, on his avid ears the words of the preacher fall; and
motionless, row on row he sits, in the sensual pleasure of this sound.
But the words are void of sense, for the music of speech has drugged his
hearing.
Before he was admitted to this House of Silence he had endured his six
months’ utter solitude, and now, in the small white-washed space, with a
black floor whence he has cleaned all dirt, he spends only fourteen
hours out of the twenty-four alone, except on Sundays, when he spends
twenty-one, because it is God’s day. He spends them walking up and down,
muttering to himself, listening for sound, with his eyes on the little
peephole in the door, through which he can be seen but cannot see. Above
his mug and plate of shining tin, his stiff, black-bristled brush and a
piece of soap, is raised a little pyramid of godly books; no sound or
scent, no living thing, no spider even, only his sense of humour comes
between him and his God. But nothing whatever comes between him and his
walking up and down, his listening for sound, his lying with his face
pressed to the floor; till darkness falls, that he may stare at it, and
beg for sleep, the only friend of prisoners, to touch him with her
wings. And so, from day to day, from week to week, and year to year,
according to the number of the years set opposite the name that once was
his.
The workshops of the House of Silence hear no sound but that of work;
the men in yellow, with arrows marked on them, are busy with a fearful
zest. Their hands and feet and eyes move all the time; their lips are
still. And on these lips, from mouth to mouth is seen no smile--so
perfect is the order.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account