English essays -- 20th century; English fiction -- 20th century; Short stories, English
“What are you? Where did you work last? How did you get into this
condition? Are you married? How many children? Why don’t you apply to
the proper authorities? I have money, and you have none; it is my right
to ask these questions.”
“I am a lost dog.”
“But I have no work for you; if you are really hungry I can give you
sixpence; I can also refer you to a Society who will examine your
affairs, but if they find you a man for whom life has been too much,
they will tell me so, and warn me not to help you. Is that what you
want?”
“I am a lost dog.”
“I dare say; but what can I do? I can’t make work! I know nothing about
you, I daren’t recommend you to my friends. No man gets into the
condition you are in without the aid of his own folly. You say you fell
ill; yes, but you all say that. Why couldn’t you look ahead and save
some money? You see now that you ought to have? And yet you come to me!
I have a great many calls--societies, old people, and the sick; the
rates are very high--you know that--partly on your account!”
“I am a lost dog.”
“Ah! but I am told daily by the just, the orderly, the practical, who
have never been lost or hungry, that I must not give to casuals. You
know yourself it would be pure sentiment; you know yourself it would be
mere luxury. I wonder you can ask me!”
“I am a lost dog.”
“You have said that before. It’s not as if I didn’t know you! I have
seen and talked with you--with dozens of you. I have found you asleep on
the Thames Embankment. I have given you sixpence when you were shambling
empty away after running a mile behind a cab. One night, don’t you
remember, in the Cromwell Road--well, not you, but your twin brother--we
talked together in the rain, and the wind blew your story against the
shuttered windows of the tall, closed houses. Once you were with me
quite six weeks, cutting up a dead tree in my garden. Day after day you
sat there, working very slowly to keep the tree from coming to an end,
and showing me in gratitude each morning your waistbelt filling out.
With the saw in your hand and your weak smile you would look at me, and
your eyes would say, ‘You don’t know what a rest it is for me to come
here and cut up wood all day.’ At all events, you _must_ remember how
you kept yourself from whiskey until I went away, and how you excused
yourself when I returned and found you speaking thickly in the morning:
‘I can’t _help_ rememberin’ things!’ It was not you, you say? No; it was
your double.”
“I am a lost dog.”
Public-domain text, read in full here on John Shaqi.
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